Author
Richard Muther
1860-1909
Richard Muther (1860-1909) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Richard Muther
The History of Modern Painting, Volume 2 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 2" by Richard Muther is an art historical account written in the early 20th century. This volume of a four-part series explores the evolution of modern painting, particularly focusing on developments and artistic movements up to the end of the 19th century. The book delves into various styles and influential artists during a transformative period in art history, highlighting the dynamic relationship between art and contemporary society. The opening of the volume presents a critical view of the initial detachment of modern painting from ordinary life and its reliance on historical and classical themes. Muther examines how the art of the early 19th century, particularly in France, Germany, and England, often maintained a distance from the present reality, favoring classical references over modern subjects. He discusses notable artists and their works, such as David and Delacroix, pointing out the shortcomings in capturing contemporary life. The section also emphasizes the role of caricaturists and draughtsmen who began to integrate modern life into their art, representing the societal dynamics and individual experiences of their times.
The History of Modern Painting, Volume 1 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 1 (of 4)" by Richard Muther is a historical account written in the late 19th century. This work meticulously explores the evolution and significance of modern art beginning from the 18th century, highlighting key figures and movements that shaped its development. The text likely addresses the transition of painting from the traditional notions dominated by church and aristocracy to a more bourgeois-led narrative and aesthetic. The opening of the book sets the stage for this in-depth exploration by analyzing the new social and cultural dynamics that accompanied the rise of modern painting. Muther introduces the historical context of England, positioning it as a pioneer in modern art, largely due to its middle-class development. He emphasizes the influence of contemporary life on English literature and art, showcasing how figures like William Hogarth embodied this shift toward a more realistic depiction of everyday life and society, contrasting with the idealism of previous eras. The introduction prepares readers for a comprehensive study of pivotal artists and how their works reflect the complexities and variances of modern life and culture.
The History of Modern Painting, Volume 3 (of 4) Revised edition continued by the author to the end of the XIX century
"The History of Modern Painting, Volume 3 (of 4)" by Richard Muther is an art history text written in the early 20th century. This volume continues the exploration of modern painting movements and artists, with a focus on the development of realism in England, Germany, and the influence of Japanese art on Impressionism. The book likely discusses notable painters like Edward Burne-Jones, Holman Hunt, and Adolf Menzel, along with the broader cultural and artistic trends that shaped their work. The opening portion of this volume delves into the emergence of pre-Raphaelitism in England during the mid-19th century, illustrating how a group of young artists sought to revive a more authentic representation of nature and human emotion in their art. It critiques the prevailing historical and genre painting styles that had become detached from true artistic expression, pointing to figures like William Dyce and the founding of the pre-Raphaelite Brotherhood by Dante Gabriel Rossetti, Holman Hunt, and John Everett Millais. Through their commitment to realism and truthfulness, the pre-Raphaelites aimed to break away from the conventions of the past and establish a new artistic identity that reflected contemporary life and emotional depth.