Author
Victorien Sardou
1831-1908
Victorien Sardou (1831-1908) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Victorien Sardou
The Sorceress: A Drama in Five Acts
"The Sorceress: A Drama in Five Acts" by Victorien Sardou is a theatrical play written in the early 20th century. The drama revolves around themes of love, bigotry, and persecution set against the backdrop of 16th-century Spain after the Reconquista. The primary characters include Zoraya, a Moorish woman accused of sorcery, and Don Enrique, a Castilian officer who grapples with his feelings for her amidst the societal conflicts of their time. At the start of the play, we are introduced to a tense scene involving the arrest of local peasants, accused of stealing the body of a young Moor, Kalem, who was stoned to death for his forbidden love affair with a Christian girl. Don Enrique, the commander of the archers, intervenes to question the captured peasants, displaying both authority and compassion. We learn of the tensions between Christians and Moors, and the prejudices that lead to accusations of witchcraft. The initial clash sets the stage for the unfolding drama, particularly highlighting the relationship between Enrique and Zoraya, which hints at deeper themes of love and societal boundaries as they navigate their dangerous world together.
La Tosca: Drama trágico en cuatro actos divididos en cinco cuadros
"La Tosca: Drama trágico en cuatro actos divididos en cinco cuadros" by Victorien Sardou is a five-act drama first performed in 1887. Set in Rome over eighteen hours in June 1800, this melodrama follows celebrated opera singer Floria Tosca, her lover Mario Cavaradossi, and the ruthless Baron Scarpia in a deadly game of desire and political intrigue. When Scarpia arrests Cavaradossi and demands a terrible price for his freedom, Tosca must make an impossible choice with devastating consequences for all three.
La Tosca: Drame en cinq actes
"La Tosca: Drame en cinq actes" by Victorien Sardou is a five-act drama first performed in 1887. Set in Rome over eighteen hours in June 1800, the play follows celebrated opera singer Floria Tosca, her lover Mario Cavaradossi, and the ruthless Baron Scarpia in a deadly game of passion and politics. When Scarpia arrests Cavaradossi and demands Tosca submit to him in exchange for her lover's life, she makes a fateful choice that seals all their destinies.
Les diables noirs: drame en quatre actes
"Les diables noirs: drame en quatre actes" by Victorien Sardou is a theatrical play written in the mid-19th century. The work likely explores themes of social dynamics, family tensions, and romantic entanglements, set against the backdrop of contemporary French societal norms. The play introduces a cast of characters, including a returning noblewoman named Jeanne, her relatives, and potential suitors, hinting at interpersonal conflicts and humorous situations. The opening of "Les diables noirs" sets the stage in a weathered chateau near Dieppe, where various characters—including Honoré, Sylvie, and Jeanne—interact in a lively and somewhat comedic manner. The dialogue reveals that Jeanne is returning to the chateau after her husband's death, and her arrival stirs curiosity and a hint of confusion among the characters, particularly concerning family relationships and past acquaintances. We learn of a recent perilous adventure involving Jeanne and her companion, Sarah, which introduces a dramatic tension while also establishing the play's humorous tone. The scene concludes with hints of romantic interests and foreboding supernatural elements, creating an intriguing setup for the unfolding drama.
Musta helmi
"Musta helmi" by Victorien Sardou is a novel written in the mid-19th century. Set in Amsterdam, it blends romance and crime as Balthazar Van der Lys, eager to prove his long-standing love to the heiress Suzanne Van Miellis with a cherished medallion, is plunged into crisis when his home is burgled and suspicion falls on Christiane, the gentle foster daughter he and his late mother raised. The opening of this novel follows Balthazar and his scholarly friend Cornelius Pamp through a violent storm back to Balthazar’s house, where a convivial evening turns to alarm: the study has been ransacked, cash and jewels are gone, and—most crucially—the medallion Balthazar meant to give Suzanne is missing. A keen but self-satisfied police commissary, Tricamp, reconstructs the break-in via a hidden wall opening and swiftly theorizes the thief is a small, agile young woman familiar with the house. Suspicion narrows to Christiane, who returns from tending the elderly servant Gudule, is confronted, faints, and is further compromised when a black pearl from the medallion is found in her room. While Gudule’s testimony places Christiane mostly in the house and shows how rattled she was by the storm, the scene ends with Christiane protesting her innocence as Balthazar and Cornelius—torn between trust and mounting “evidence”—struggle to believe her.