Author
Matilde Serao
1856-1927
Matilde Serao (1856-1927) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Matilde Serao
Fantasy: A Novel
"Fantasy: A Novel" by Matilde Serao is a work of fiction written in the late 19th century. The narrative opens in a convent school, introducing a group of young girls and their daily lives under the strict supervision of their teachers. Central to the beginning is the character of Lucia Altimare, whose emotional struggles and intense feelings are set against the backdrop of religious and social pressures, hinting at themes of friendship, individuality, and the quest for identity. The opening portion establishes a vivid scene in the chapel as the girls engage in prayer and reflect on their lives. As the evening unfolds, we see Lucia grappling with her internal conflict, often longing for a deeper understanding of her world, while also attracting the attention of her peers. The sense of camaraderie and competition among the girls is palpable, particularly as they react to their school assignments and the authority of their teachers. As the narrative progresses, Lucia's bond with her friend Caterina is highlighted, setting the stage for future developments and emotional turmoil. This introduction weaves together the intricacies of youth, social expectations, and individual aspirations in a richly descriptive manner.
The Desire of Life
"The Desire of Life" by Matilde Serao is a novel written in the late 19th century. The story unfolds in the beautiful backdrop of the Engadine mountains and follows characters searching for meaning and connection amid the complexities of love and societal expectations. Central to the narrative are Don Vittorio Lante and Lucio Sabini, two friends whose interactions reveal their personal struggles regarding love, freedom, and societal demands. The opening of the novel introduces Don Vittorio Lante and Lucio Sabini as they embark on a carriage journey through the captivating landscapes of the Alps. Their conversation touches on themes of love, longing, and the burdens of their respective social standings. Don Vittorio grapples with familial obligations and a sense of duty tied to his name, while Lucio expresses his frustrations with romantic entanglements and the fleeting nature of his affairs. Their discussions meld with evocative descriptions of the mountainous terrain, setting a tone of introspection and desire for a different life as they navigate this world, both outwardly glamorous and internally conflicted.
The conquest of Rome
"The Conquest of Rome" by Matilde Serao is a novel written in the early 20th century. The narrative explores the journey of Francesco Sangiorgio, a newly elected deputy from a small province, as he travels to Rome, grappling with the weight of ambition, personal history, and the vibrant life of the city. The story unfolds against the backdrop of political and social dynamics of the time, intertwining the protagonist’s aspirations with a deeper critique of human emotions and societal structures. At the start of the novel, we meet Francesco Sangiorgio on a night train to Rome, reflecting on his past as a provincial lawyer and the challenges he faced in his ambitions to become a deputy. As he journeys through the countryside and the city, Sangiorgio experiences an amalgamation of emotions—from excitement about his new role to feelings of isolation and introspection. The opening chapters focus on his anticipation of Rome, a city he admires deeply yet knows only abstractly, and set the stage for his encounters with political life, societal expectations, and the struggles of self-identity within the complex fabric of a bustling metropolis.
Piccole anime
"Piccole anime" by Matilde Serao is a fictional work written in the late 19th century. The book delves into the lives and emotions of children, portraying their innocence and struggles against the backdrop of societal challenges. The opening chapters introduce various characters, including a homeless girl named Canituccia, highlighting the harsh realities of childhood in impoverished circumstances. The opening of "Piccole anime" sets a tone of deep empathy and observation toward the plight of children. It begins with a personal dedication by the author, introducing the complexity of children's lives, marked by both innocence and harsh experiences. A significant focus is placed on Canituccia, a seven-year-old girl who navigates through her daily life of hunger and struggle, often reflecting on her loneliness and abandonment. Through vivid descriptions of her environment and emotions, Serao captures the essence of childhood marked by both fragility and resilience, establishing a poignant foundation for the stories that follow.
The Land of Cockayne: A Novel
"The Land of Cockayne: A Novel" by Matilde Serao is a work of fiction written in the late 19th century. The narrative explores the lives of various characters from the lower social strata of Naples, particularly focusing on their aspirations and struggles, centered around themes of fortune and despair, often represented through the lottery. Key figures in the story include Carmela, a seamstress with a wearied yet hopeful demeanor, and other townsfolk who are drawn into the world of gambling, revealing the underlying social tensions and dreams of a better life. The opening of the novel introduces the picturesque but melancholic setting of Naples, where the anticipation of a lottery drawing brings together a diverse group of people, united by their hopes for fortune. Through vivid descriptions, Serao paints a scene of a bustling street and an eager crowd, highlighting characters such as Michele, the shoeblack, and Carmela, who yearns for a small slice of hope amidst her struggles. As the crowd waits, their conversations reveal their intimate relationship with gambling and the lottery, which serves as both an escape from their harsh realities and a source of deep disappointment. The atmosphere shifts dramatically when the lottery drawing commences, eliciting emotional responses from the crowd and culminating in a strong sense of despair as hopes are dashed, setting the tone for the social commentary that unfolds throughout the novel.
Farewell Love! A Novel
"Farewell Love!" by Matilde Serao is a novel written in the late 19th century. The narrative revolves around Anna Acquaviva, a young woman ensnared in a passionate love affair with Giustino Morelli, against the backdrop of societal constraints imposed by her family and her guardian, Cesare Dias. The novel explores themes of love, sacrifice, and the tumultuous emotions that accompany youthful desires and societal expectations. At the start of the story, we meet Anna as she lies awake in her bed, suffering from the intensity of her feelings towards Giustino, whom she secretly meets. The opening chapters illustrate her turmoil as she grapples with her desire to escape her stifling life, particularly the authority of Cesare Dias, her guardian, who stands as an obstacle to her love. The tension escalates as Anna resolves to elope with Giustino, culminating in a poignant reflection on the sacrifices of love and the ensuing emotional fallout from her decisions. The complexity of their relationship unfolds, revealing Anna's vulnerability and the challenging dynamics that threaten her happiness.
After the Pardon
"After the Pardon" by Matilde Serao is a novel written in the early 20th century. The book centers around the tumultuous and passionate love affair between Donna Maria Guasco Simonetti and Marco Fiore, exploring themes of love, jealousy, and the complexity of human emotions within the constraints of society. The narrative delves into the emotional struggles and societal expectations that the characters face, particularly in relation to Maria's previous marriage. The opening of the novel introduces Donna Maria as a graceful and solitary figure, immersed in her reading when Marco Fiore arrives late for their meeting. Their interaction is characterized by a charged atmosphere filled with unspoken emotions, hints of jealousy, and the undercurrents of their strained relationship. As they navigate their feelings for one another, there are references to their past loves, particularly Maria's estranged husband and Marco's former fiancée, leading to themes of loyalty and sacrifice. The scene sets the stage for a deeper exploration of their romantic entanglement and the societal pressures that complicate their connection, reflecting the novel's focus on the interplay between love and obligation.
Sognando
"Sognando" by Matilde Serao is a philosophical reflection that blends elements of fiction and essay writing, likely produced in the early 20th century. The text explores the profound themes of imagination, existence, and the human condition, drawing connections between the reality of life and the transformative power of dreams and fantasies. Through a contemplative narrative, the author poses questions about the nature of life, its struggles, and the critical role of imagination in finding meaning and solace. At the start of "Sognando," the reader is introduced to the contrasting figures of the rationalist Tommaso Gradgrind and the imaginative characters in Dickens' "Hard Times." This opening segment discusses how Gradgrind's harsh educational practices strip away the emotional and poetic faculties from his children, Luisa and Tom, ultimately leading to a tragic outcome. Simultaneously, Serao reflects on the broader human experience, acknowledging a collective tendency to suppress imagination for practicality, suggesting that this may lead to an empty existence devoid of true fulfillment. The prose intertwines literary references and personal musings, setting the stage for an evocative exploration of how dreams shape reality and the intrinsic value of human emotions.
La conquista di Roma
"La conquista di Roma" by Matilde Serao is a novel published in 1885. It follows Francesco Sangiorgio, a young deputy from Basilicata, as he arrives in late nineteenth-century Rome determined to conquer the capital. Coming from poverty, he navigates the sophisticated urban world through strategic relationships, political maneuvering, and a duel with a powerful rival. His calculated ascent through Roman society leads to an unexpected love affair and a profound disillusionment about who truly conquered whom.
Donna Paola
"Donna Paola" by Matilde Serao is a novel written during the late 19th century. The story revolves around the complex relationships among its characters, focusing on themes of love, infidelity, and the struggles between passion and duty. Through its rich prose and intricate character dynamics, the novel explores the emotional turmoil of a woman caught between societal expectations and her personal desires. The narrative centers on Paola, a young woman married to a man who seems unaware of her growing infatuation with Fulvio, a friend who becomes increasingly obsessed with her. This infatuation develops into a tumultuous relationship, causing inner conflict for Paola as she grapples with her feelings for Fulvio while trying to maintain her societal roles as a wife and a woman of propriety. As the two navigate their tumultuous emotions, the story raises significant questions about fidelity, the boundaries of love, and ultimately, the consequences of their choices. The tension between social obligation and personal yearning is palpable throughout the novel, leading to a poignant exploration of the nature of love and sacrifice.
"Sterminator Vesevo" (Vesuvius the great exterminator) Diary of the Eruption of April 1906
"Sterminator Vesevo" (Vesuvius the Great Exterminator) by Matilde Serao is a poignant diary-like narrative recounting the catastrophic eruption of Mount Vesuvius in April 1906, likely written in the early 20th century. The work focuses on the emotional and physical devastation wrought by this natural disaster, capturing the human experience of terror, loss, and resilience. Through the writer's eyes, readers encounter both ordinary citizens and notable figures responding to the crisis, illuminating the collective struggle against nature's fury. At the start of the narrative, the author vividly describes the moment Vesuvius erupted, casting a dark cloud over Naples and showering the region with ash and cinders. The tone is immediate and personal, as Serao, a first-hand witness, conveys the mixture of fear and a strange fascination among the crowds gathered to witness the phenomenon. As the eruption unfolds, she recounts the chaos and panic, as well as the heroic responses of individuals and communities that strive to assist one another amid the disaster. The opening sets the stage for a tale not merely of destruction but also of hope, courage, and the human spirit's capacity to endure against overwhelming odds.
Saper vivere: Norme di buona creanza
"Saper vivere: Norme di buona creanza" by Matilde Serao is a guide on etiquette and social manners written in the early 20th century. The work aims to instruct readers on the finer points of living gracefully in society, focusing on behaviors that cultivate social harmony and respect. It addresses the importance of a secondary education, one of which is understanding and practicing good manners in various social situations. The opening of the text sets the stage for Serao’s exploration of etiquette by establishing that while basic manners are typically instilled from childhood, advanced social skills often depend on one's environment and personal experiences. Serao emphasizes that true etiquette is nuanced and varies across different cultures and traditions. She outlines the necessity of this knowledge for everyone, regardless of their social standing, as it fosters a successful and harmonious existence. This introduction not only signals an intent to provide practical advice but also frames Serao as a knowledgeable guide through the complex social landscape of her time.
Piccolo romanzo
"Piccolo romanzo" by Matilde Serao is a fictional novel written in the late 19th century. The book delves into themes of love, societal expectations, and personal sacrifice, exploring the lives and emotions of its characters set against the backdrop of Naples. The story follows the intertwining lives of three main female characters: Clara, Daisy, and Margherita, as they navigate their romantic entanglements and societal roles. Clara, bound to marry the much older Prince of Schillingfurst, wrestles with her strong feelings for Don Francesco, who is indifferent to her affections. Daisy, Clara's friend, embodies a logical perspective on life, disillusioned by love, while Margherita, the third character, expresses a more passionate and romantic viewpoint about relationships and love. Through letters exchanged between the characters, the book poignantly reveals their inner struggles, culminating in themes of despair and the search for true love, ultimately leading to life-altering decisions that reveal the relentless grip of societal expectations over personal desires.
Dal vero
"Dal vero" by Matilde Serao is a novel written in the late 19th century. The story begins with observational reflections on human experiences, particularly the beauty and innocence of childhood. The main character appears to be a boy known for his striking features and playful demeanor, which sparks discussions about aesthetics and the innocence of youth while contrasting with the burdens that adulthood eventually brings. At the start of the narrative, the opening portions illustrate a theatrical setting where the narrator feels disillusioned by a lackluster play, choosing instead to observe a beautiful blonde boy in the audience. The boy's vibrant presence captivates the narrator, leading to contemplative musings on beauty and childhood innocence. As the narrative unfolds, a doctor and the narrator engage in a philosophical debate about beauty, youth, and the inevitability of adult experiences, indicating deeper themes of lost innocence and the harsh realities of life that shape one’s perceptions over time. This reflective tone pairs with poetic descriptions, setting a thoughtful mood as the characters grapple with profound ideas amidst their surroundings.
Suor Giovanna della Croce: romanzo
"Suor Giovanna della Croce: romanzo" by Matilde Serao is a novel written in the late 19th century. The story revolves around the titular character, Suor Giovanna, an elderly nun facing profound distress as she and her fellow sisters are forcibly expelled from their convent due to new government laws. The narrative explores themes of faith, loss, and the universal experience of suffering, as it delves into the life of an individual stripped of her identity and sacred commitments. The opening of the novel sets a somber tone, introducing readers to the austere life within the cloister of the convent, where Suor Giovanna and her companions reside. As the narrative unfolds, we witness significant events that lead to the dissolution of their community, highlighting the emotional turmoil experienced by the sisters, particularly the oldest among them, Suor Teresa. The bad news delivered by their priest, Don Ferdinando, about the impending closure of their convent initiates a wave of grief among the nuns, who must grapple with leaving their home—a space that has been a sanctuary for them for decades. Suor Giovanna, recalling her past life as Luisa Bevilacqua, reflects on her lost dreams and the stark contrast between her desires and the oppressive reality of her present as she faces an uncertain future outside the safety of the convent.
Gli amanti: pastelli
"Gli amanti: pastelli" by Matilde Serao is a novel written in the late 19th century. This work delves into the complexities of love and relationships, focusing primarily on the characters Grazia and Nino Stresa, as well as other intertwined romantic stories. The narrative explores themes of passion, desire, infidelity, and the emotional turmoil that accompanies romantic entanglements. The opening of the novel introduces the character Grazia at a ball, where she experiences an unsettling yet captivating encounter with Nino Stresa. Grazia is struck by Nino’s intense gaze and languid demeanor, which fascinates her despite his apparent insensitivity. As their relationship develops, Grazia grapples with the raw and often bruising nature of Nino's affections, facing internal conflict as she is drawn to him while simultaneously feeling repulsion from his brutish advances. This initial segment sets the stage for a deeper exploration of the tumultuous dynamics between the characters and the broader implications of their romantic entanglements, painting a portrait of love that is both alluring and fraught with pain.
Cristina
"Cristina" by Matilde Serao is a novel written in the early 20th century. The story revolves around the life of a young woman, Cristina Demartino, exploring themes of love, societal expectations, and the nuances of personal relationships in a provincial Italian setting. The narrative captures the emotional complexities and societal struggles of a woman navigating her desires and the pressures imposed on her by her family and community. The plot follows Cristina as she grapples with her feelings towards Peppino Fiorillo, a young man who becomes infatuated with her. Despite his passionate advances, Cristina remains indifferent and is mainly focused on her family responsibilities, including the impending departure of her younger brother to a military academy. As Peppino pursues her relentlessly, Cristina's life takes unexpected turns, illustrated by her encounters with love, expectation, and ultimately tragedy. The climax unfolds with a dramatic event that forces Cristina to confront the reality of her emotions and relationships, leading her down a path of unforeseen choices. The novel portrays not only the personal turmoil of its protagonist but also reflects broader social themes relevant to women’s freedom and aspirations during its time.
Fior di passione
"Fior di passione" by Matilde Serao is a novel written in the late 19th century. The narrative opens with intense, emotional interactions among a group of friends, focusing on the complicated relationships between Fulvio, an ardent suitor, and Paola, a married woman. Themes of love, desire, and moral conflict are likely to be central as the characters navigate their entangled feelings against the backdrop of societal expectations. At the start of the novel, we are introduced to a gathering where Fulvio expresses his love for Paola amidst a lively atmosphere. Despite her marriage, Paola seems to be a focal point of attention, captivating those around her. The tension between Fulvio's unyielding passion and Paola's calm demeanor sets the stage for a dramatic exploration of desires that challenge the boundaries of fidelity and friendship. As external celebrations occur, the internal struggle reveals a depth of emotion, hinting at conflicts that may arise as Fulvio grapples with his infatuation and Paola remains steadfast, prioritizing her marital duties over her tumultuous feelings.
Au pays de Jésus : $b souvenirs d'un voyage en Palestine
"Au pays de Jésus : souvenirs d'un voyage en Palestine" by Matilde Serao is a travel narrative written in the early 20th century. The work reflects the author’s experiences and contemplations as she journeys through Palestine, seeking deeper emotional and spiritual connections to the land's rich history and sacredness. Serao’s narrative intertwines vivid descriptions of the landscapes with her introspective musings on the essence of travel and the soul of the places she visits. The opening of the work sets the stage for Serao's voyage as she prepares to depart from Naples, revealing her mixed emotions of anticipation and trepidation. She reflects on the nature of travelers, categorizing them into various types, with a particular focus on a “sentimental traveler” who is drawn to the deeper spiritual and emotional significance of places rather than mere sights. As the ship leaves the enchanting view of Naples behind, Serao is enveloped in thoughts of longing, wonder, and self-doubt. This establishes her as a thoughtful and sensitive observer who not only seeks to explore Palestine geographically but also aims to engage with its profound spiritual narratives, enriching her experience and that of her readers.
Vita e avventure di Riccardo Joanna: romanzo
"Vita e avventure di Riccardo Joanna: romanzo" by Matilde Serao is a novel written in the late 19th century. The story centers around a young boy named Riccardo Joanna, exploring his life and adventures as he navigates the challenges of childhood in a bustling environment filled with adults and their complexities. Through Riccardo, the narrative likely delves into themes of innocence, familial bonds, and the contrast between childhood simplicity and adult hardships. The opening of this novel introduces us to Riccardo Joanna and his father, Paolo Joanna, as they begin their day in a modest living space filled with newspapers and remnants of the previous night’s activities. We observe the tender relationship between the father and son, with Paolo's careful attention to not disturb Riccardo while he sleeps. As Riccardo wakes and interacts with his servant, Marianna, the narrative reveals his playful and somewhat demanding nature, particularly around food. The father-son dynamic is further explored when Riccardo is described as a curious and astute child who observes his father's workplace at the newspaper, signaling the evolution of Riccardo's character as he uncovers the realities of adulthood intertwined with his innocent childlike wonder.
L'infedele
"L'infedele" by Matilde Serao is a novel written in the late 19th century. The story revolves around a complex love triangle involving Paolo Herz, Luisa Cima, and Chérie, exploring themes of love, betrayal, and the emotional turmoil that accompanies romantic relationships. With rich character descriptions, the narrative delves into the inner lives and struggles of the protagonists, particularly the deep affection and conflict experienced by Paolo. At the start of the novel, we are introduced to the three characters: Paolo Herz, a thirty-six-year-old introspective man grappling with his emotional needs, Luisa Cima, a twenty-six-year-old delicate and manipulative woman, and Chérie, an enigmatic figure without a clear past but whose charm captivates those around her. The opening focuses on the multidimensional nature of Paolo's character, detailing his past experiences of love, loss, and a reluctance to fully commit, while shedding light on Luisa's selfishness and Chérie's allure. Set against the backdrop of their intertwined lives, the stage is established for a turbulent exploration of love and infidelity.
Le Amanti
"Le Amanti" by Matilde Serao is a novel written in the late 19th century. The story explores the passionate but complicated relationship between its main characters, Grazia and Ferrante, highlighting themes of love, longing, and the constraints imposed by society. Both characters navigate intense emotions and the trepidation of having their love exposed to the outside world. At the start of the novel, we are introduced to Grazia, who experiences a deep, feverish longing for the absent Ferrante. In her solitary room, she grapples with her feelings, alternating between moments of fervent passion and crippling anxiety. The narrative deftly captures her inner turmoil as she is consumed by thoughts of love, her desires reflected in the physical sensations of warmth and tranquility that elude her in reality. Meanwhile, Ferrante is depicted as a strong but tormented soul, whose prior life and experiences weigh heavily on him, yet his connection with Grazia ignites an overwhelming, desperate yearning. The beginning sets the stage for their tumultuous love story, tinged with the threat of societal disapproval and personal conflict.
Naples : $b Les légendes et la réalité
"Naples : Les légendes et la réalité" by Matilde Serao is a collection of literary essays written in the late 19th century. The work blends legend, folklore, and reflective reportage to portray Naples as a city where love, landscape, and daily life are inseparable, turning places, seasons, and memories into living myths. The opening of the work sets Naples against the misty North, then reimagines the city’s birth through the love of Parthenope and Cimon, declaring Parthenope eternally alive in Naples. It celebrates and demystifies the legend of Virgil the Mage—his marvels for the city—before arguing that his true “magic” is poetry. A lyrical panorama of the gulf follows, characterizing each stretch of sea (Carmine, the Môle, Santa Lucia, Chiatamone, Mergellina, Pausilippe) as a different soul and destiny, ending with a stark legend of consolation in the waves. A suite of love-legends ties hills, islands, fountains, and the Vesuvius–Capri axis to passion and grief. The haunted Palazzo Donn’Anna frames a tale of jealousy between a powerful duchess and her rival, with love ending in disappearance and solitude. A darker story evokes a ghostly boat: Thécla and Aldo drowned by her husband Bruno, a scene said to reappear only to true lovers. The section closes by beginning the story of Cicho the Sorcerer in medieval Naples, a feared recluse whose “secret” is introduced as he turns from a pleasure-filled youth to a quest to benefit humankind.