Author
August Strindberg
1849-1912
August Strindberg (1849-1912) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by August Strindberg
Married
"Married" by August Strindberg is a collection of stories written during the late 19th century, reflecting Strindberg's evolving views on relationships and society's expectations of marriage. Through a series of narratives, the book explores complex themes surrounding love, duty, and the struggles faced by couples, delving into the psychological and social implications of marriage in a patriarchal society. The opening of "Married" sets the stage for the exploration of familial relationships and personal development, particularly through the lens of young Theodore Wennerstroem. The narrative begins with an intimate portrayal of his relationship with his mother, who imparts wisdom and warnings about life's temptations as he navigates the loss of her presence. This deep, emotional connection shapes Theodore's character, indicating his struggle with societal expectations, sexual awakening, and personal autonomy. His experiences in the garden and encounters with the gardener's daughter hint at his contrasting desires to embrace life and adhere to the constraints imposed by society, ultimately serving to introduce the multifaceted experiences and conflicts that arise from the institution of marriage.
Plays by August Strindberg, First Series
"Plays by August Strindberg, First Series" by August Strindberg is a collection of theatrical works written in the late 19th century. This volume features three significant plays: "The Dream Play," "The Link," and "The Dance of Death," demonstrating Strindberg's exploration of themes such as love, existential despair, and the complexities of human relationships. The characters often reflect Strindberg’s own struggles with identity and societal norms, making for a deeply introspective and dramatic experience. The opening portion introduces "The Dream Play," establishing a surreal and dreamy atmosphere as it portrays the celestial daughter of the god Indra on her descent to Earth to understand human experiences. The prologue hints at the disjointed yet seemingly logical nature of dreams, creating a narrative where time and space are fluid. As the daughter encounters characters below who are marked by both the beauty and anguish of existence, the dialogue suggests a deep inquiry into human suffering and joy. Thus, this initial segment sets the stage for a rich tapestry of human emotions explored throughout the play, highlighting Strindberg's distinct blend of realism and symbolism.
Plays: the Father; Countess Julie; the Outlaw; the Stronger
"Plays: The Father; Countess Julie; The Outlaw; The Stronger" by August Strindberg is a collection of influential plays written during the late 19th century. The anthology highlights Strindberg's prowess in dramatic techniques, particularly showcasing the tumultuous dynamics of gender and power through complex relationships and moral conflicts. Each play delves into themes of identity, family ties, and societal expectations, with notable characters such as the Captain in "The Father," who grapples with fears regarding paternity and sanity. The beginning of "The Father" introduces us to the Captain, a troubled military figure engaged in conversations with his wife, Laura, and others about the welfare of their daughter, Bertha. The scene is marked by tensions stemming from Laura’s influence in their family dynamics and the Captain's struggles with doubt about his authority and familial role. As the Captain reveals his disdain for the overwhelming female presence in his home, the dialogue evolves into a deeper exploration of loyalty, truth, and the psychological pressures faced by both parents. The play sets a compelling stage for conflict and intrigue, suggesting a passionate examination of existential themes as the characters confront their personal demons and societal constraints.
The Red Room
"The Red Room" by August Strindberg is a Swedish novel published in 1879. This biting satire follows Arvid Falk, a young civil servant who abandons bureaucracy to pursue journalism and writing. As he navigates Stockholm's social circles—politics, publishing, theatre, and business—he discovers layers of hypocrisy and corruption at every turn. He finds solace among a group of bohemians who gather in a red dining room to critique society. Widely considered the first modern Swedish novel, this work launched Strindberg to fame across Scandinavia.
The Confession of a Fool
"The Confession of a Fool" by August Strindberg is an autobiographical novel written in 1887–1888. This lightly fictionalized account chronicles Strindberg's tumultuous first marriage to Siri von Essen from 1874 to 1887. Written hastily in French as his marriage collapsed, Strindberg feared a conspiracy among European women to portray him as insane. The book reveals his version of the truth about their stormy relationship, leading to obscenity charges and a pirated publication that appeared despite his protests.
Röda rummet: Skildringar ur artist- och författarlivet
"Röda rummet: Skildringar ur artist- och författarlivet" by August Strindberg is a novel published in 1879. It follows young Arvid Falk through the streets of Stockholm as he struggles between idealism and survival. Among bohemian artists, philosophers, and writers living on the edge of poverty, Arvid discovers that staying honest in a hypocritical society comes at a steep price. Through detailed realism and biting social satire, Strindberg exposes the contradictions of ambition, art, and integrity in 1870s Sweden.
Historical Miniatures
"Historical Miniatures" by August Strindberg is a collection of historical essays written during the late 19th century. The text presents a series of vignettes that explore significant events and figures in human history, depicting a blend of imaginative narration and philosophical insight into the past. Through the chapters, readers encounter notable characters such as Pharaohs, Socrates, and the Apostate, all situated within their cultural and historical contexts. The opening of "Historical Miniatures" begins with a preface that establishes the book's critical acclaim and introduces the study of mankind's history through vivid episodes. Following this, a chapter titled "The Egyptian Bondage" introduces Amram, a Hebrew craftsman living under Pharaoh's rule, who engages in philosophical discussions with other characters about the Nile and the continuing plight of his people. The narrative sets up a contrast between faith in divine promises and the harsh realities of life in Egypt, ultimately building a multifaceted view of historical figures and their dilemmas. This beginning establishes Strindberg’s intention to weave together personal narratives with broader historical themes, inviting readers into reflective contemplation about the past.
The Road to Damascus, a Trilogy
"The Road to Damascus, a Trilogy" by August Strindberg is a trilogy of plays published between 1898 and 1904. The first part follows a protagonist called The Stranger through seven stations on his way to an asylum, then back through each in reverse order to his starting point. This circular, palindromic structure creates what critics call "I-dramaturgy," where all other characters appear only through the hero's perspective. The work synthesizes myths, symbols, and ideas into a profound spiritual analysis in a revolutionary dramatic form.
Plays by August Strindberg: Creditors. Pariah.
"Plays by August Strindberg: Creditors. Pariah." by August Strindberg is a collection of one-act plays written in 1888–1889. In "Pariah," two men trapped in a farmhouse during a storm engage in a psychological battle over guilt and atonement. Both harbor criminal pasts—one a murderer who escaped justice, the other a forger who served time. As their stories unfold, the tension escalates into a dangerous contest of wills, where mental prowess proves mightier than physical threat in this Darwinian struggle for survival.
Plays: Comrades; Facing Death; Pariah; Easter
"Plays: Comrades; Facing Death; Pariah; Easter" by August Strindberg is a collection of four plays written during the late 19th century. The plays explore complex themes surrounding marriage, identity, and societal norms, particularly scrutinizing gender roles and relationships. Through witty dialogue and intricate character dynamics, the collection addresses the struggles of its main characters, often reflecting Strindberg's own views on feminism and the existential dilemmas of modern life. The opening of the collection introduces the play "Comrades," set in an artist's studio in Paris, featuring Axel, an artist, and his wife Bertha, also an artist, along with their friends Abel and Willmer. The scene opens with a conversation that hints at marital tension and underscores the theme of competition between genders as Bertha expresses the desire to be seen as Axel's equal. As they navigate discussions about artistic ambitions, social expectations, and personal insecurities, the interaction sheds light on the evolving roles of men and women in a changing society. The dialogue foreshadows deeper conflicts regarding ambition, companionship, and the dynamic between independence and dependence within their marriage.
Index of the Project Gutenberg Works of August Strindberg
"Index of the Project Gutenberg Works of August Strindberg" by August Strindberg is a comprehensive index compiled for the works of the renowned Swedish author, serving mainly as a resource for readers and researchers. The book encompasses various genres, including plays, novels, and autobiographical sketches, and was likely compiled in the early 21st century to facilitate access to Strindberg's extensive oeuvre. The document outlines the wide array of themes explored in Strindberg's writing, which often delve into human psychology, social dynamics, and existential questions. The index serves as an organized listing of Strindberg's inquiries into the human condition through significant works such as "The Red Room," a satirical look at societal structures, and "Married," which addresses the complexities of relationships. It includes summaries of plays like "Countess Julie" and various essays and autobiographical narratives that showcase his literary evolution. Overall, the index is a valuable tool for readers interested in navigating the intricate themes and diverse styles present in Strindberg's body of work, highlighting his contribution to literary modernism and the exploration of personal and philosophical dilemmas.
In Midsummer Days, and Other Tales
"In Midsummer Days, and Other Tales" by August Strindberg is a collection of short stories written in the late 19th century. The tales explore themes of life, love, and human nature, presenting various characters in richly drawn settings that reflect on their circumstances and emotions. The opening narrative introduces a ninety-year-old grandmother, which sets the stage for a contemplative exploration of life’s fleeting moments and the intersection of reality and imagination. The beginning of the collection paints a vivid scene on Midsummer Eve, where the elderly grandmother observes the beauty of nature outside her window through mystical, colored panes that shape her perception of the world. As she reminisces about her life and the transformations of her surroundings, other characters emerge, such as a farmer and his brother, who are embroiled in their daily struggles, and a young mother working with her daughter amid their own challenges. This opening effectively establishes a tone of nostalgia and the intertwining of mundane life with deeper philosophical reflections on happiness and fulfillment, mirroring the complexities of existence that Strindberg is known for conveying throughout his works.
Master Olof: A Drama in Five Acts
"Master Olof: A Drama in Five Acts" by August Strindberg is a historical drama written during the late 19th century. The play explores the life and ideals of Master Olof, a key figure in the Swedish Reformation, as he navigates the tumultuous political and religious landscape of early 16th-century Sweden. Central to the narrative is Olof Pedersson, or Olaus Petri, who becomes embroiled in the conflicts between emerging Protestantism, Catholicism, and the feudal system, striving for spiritual and societal reform. The opening of the drama sets the stage at a cloister in Strängnäs, where Olof is depicted wrestling with his calling amidst the impending societal upheaval. He is urged by his peers and a mentor, Lars Andersson, to engage in the struggle for reform, igniting his passion for change. During a critical moment, Olof faces an internal conflict about challenging the established Church and the fear of becoming a renegade. The atmosphere is charged with tension, as he rings a bell calling people to worship despite an ecclesiastical prohibition. This pivotal act foreshadows his destined role as a leader in the Reformation, illustrating the clash between emerging ideologies and traditional beliefs, while introducing both personal and societal stakes that will unfold throughout the drama.
The Inferno
"The Inferno" by August Strindberg is an autobiographical novel written in French in 1896–97. The book chronicles Strindberg's turbulent life in Paris and beyond, where isolation, failed alchemical experiments, and occult practices fuel his descent into paranoia. Believing himself persecuted by enemies and guided by mysterious forces, he explores Swedenborgianism, mysticism, and various philosophies while growing increasingly convinced that his life has become a living hell. Part confession, part invention, the work blurs reality and exaggeration for dramatic effect.
Inferno
"Inferno" by August Strindberg is an autobiographical novel written in French in 1896–97. Isolated in Paris and separated from his family, the narrator descends into paranoia and obsession, pursuing alchemy, occultism, and Swedenborgianism. He fears persecution from fellow artists, believes he possesses magical powers, and sees mysterious forces guiding his life. As he moves between Paris, Austria, and Sweden, his experiences transform into a living hell—though evidence suggests Strindberg may have invented or exaggerated much of his account for dramatic effect.
Plays by August Strindberg, Second series
"Plays by August Strindberg, Second Series" by August Strindberg is a collection of dramatic works written during the late 19th century. This series includes plays that explore complex themes of morality, relationships, and societal challenges, featuring notable characters such as Maurice, a playwright, and Jeanne, his mistress, as they navigate the intricacies of love, ambition, and ethical dilemmas in the backdrop of Paris. At the start of the works, particularly in "There Are Crimes and Crimes," we meet Maurice and Jeanne as they wait in a cemetery, revealing the emotional tensions surrounding their relationship and the impending success or failure of Maurice's latest play. Their daughter, Marion, plays a significant role in the emotional landscape, highlighting parental responsibilities and the undercurrents of guilt that plague Maurice. The opening scenes set the stage for a deeper exploration of themes concerning the fragility of happiness, the weight of expectations, and the often harsh judgments of society that will unfold as the narrative progresses. As characters grapple with their destinies, they are drawn into a whirlwind of events entwined with existential themes and moral quandaries.
Zones of the Spirit: A Book of Thoughts
"Zones of the Spirit: A Book of Thoughts" by August Strindberg is a philosophical exploration written in the early 20th century. This work is a collection of reflections and insights that delve deeply into the author's spiritual and existential inquiries. Strindberg's writings convey his tumultuous journey through various philosophical and theological landscapes, reflecting on the nature of divinity, the human condition, and the pursuit of truth. The opening of the book features an engaging introduction that presents Strindberg as a man shaped by intense spiritual struggles and radical transformations. It outlines his evolution from a devout believer to a fierce skeptic and ultimately back to a redefined faith, spotlighting significant moments that shaped his worldview. As the narrative unfolds, it discusses Strindberg's critical examination of traditional beliefs, portraying his intellectual pursuits and the influence of other thinkers on his journey, leading to a profound and often painful understanding of existence and faith. This introductory section sets the stage for a work that promises to examine deeply personal and universally relatable themes through Strindberg's distinctive lens.
Inferno; Legenden
"Inferno; Legenden" by August Strindberg is a philosophical drama written in the late 19th century. The work explores profound themes of existence, despair, and the struggles of the human spirit through allegorical figures such as God, Lucifer, Adam, and Eve. The narrative delves into the creation of the world and the tension between good and evil, ultimately questioning the nature of reality and the human condition. At the start of the play, a dramatic confrontation unfolds between God and Lucifer in the heavens, where God expresses his intent to create a new world filled with beings who will foolishly challenge divine authority. Lucifer, embodying enlightenment, warns against the suffering that will ensue, expressing his desire to reveal the truth to humanity. The dialogue sets the stage for a cosmic battle between forces of good and evil, as it introduces Adam and Eve on Earth, who soon encounter temptation personified by Lucifer in the form of a serpent. This opening portion hints at the blending of existential inquiry and moral conflict that permeates the work, setting a tone of foreboding as it contemplates human ignorance and the pursuit of knowledge.
Plays by August Strindberg, Third Series
"Plays by August Strindberg, Third Series" by August Strindberg is a collection of theatrical works written in the early 20th century. This volume features a variety of plays that showcase Strindberg's evolution as a playwright, moving from naturalistic themes to explorations of mysticism and symbolism. The collection contains notable works such as "Swanwhite," a fairy tale-like narrative centered on themes of love, innocence, and the complex relationships between characters, particularly focusing on Swanwhite, her stepmother, and a prince. At the start of "Swanwhite," we are introduced to an enchanted world where tension brews between Swanwhite, her tyrannical stepmother, and noble figures like the Duke and the Prince. The Stepmother wields power and intimidation, particularly over Swanwhite, who is caught in the struggle between obedience and her yearning for freedom and love. As the curtain rises, we witness interactions filled with dramatic undertones, setting the stage for Swanwhite's eventual pursuit of love and her dreamlike escapade with the Prince. The dialogue reveals layered dynamics and hints of fantastical elements, immersing readers in a whimsical yet tumultuous narrative from the very beginning.
The Growth of a Soul
"The Growth of a Soul" by August Strindberg is a novel written in the late 19th century. The book delves into the life and inner struggles of the protagonist, John, who grapples with his identity, aspirations, and the realities of societal class distinctions. As he navigates the tumultuous landscape of university life and early adulthood, readers are introduced to themes of ambition, class conflict, and the quest for personal fulfillment. The opening of the novel sets the stage for John's journey as he arrives at the university in Upsala, filled with a mix of excitement and trepidation. Surrounded by a new world of students with varying backgrounds, John confronts the harsh truths of competition and the fragility of friendships. He reflects on his limited finances and lack of resources, which inhibit his academic ambitions. This initial chapter also highlights the contrasts between John's democratic ideals and the aristocratic behavior of his peers, symbolizing the broader societal tensions he must navigate as he seeks to define his own path in a world laden with expectations and class constraints. As he struggles with his identity, his friendships, and his prospects, readers witness the complexity of his character and the profound impact of the societal structures around him.
Plays by August Strindberg, Fourth Series
"Plays by August Strindberg, Fourth Series" by August Strindberg is a collection of dramatic works written in the late 19th century. The series includes several plays, prominently featuring themes of love, conflict, and societal norms, such as "The Bridal Crown." The characters often grapple with issues of familial duty, personal desire, and cultural traditions, creating a vivid portrait of Swedish life during this period. The opening portion of "The Bridal Crown" sets the stage in the pastoral landscape of Dalecarlia, capturing the essence of rural Swedish life rich in folklore and tradition. We are introduced to Kersti, a young woman preparing for her marriage to Mats as they navigate complex family dynamics and societal expectations. The dialogue reveals their hopes and fears, particularly regarding the significance of wearing a crown at their wedding, which symbolizes honor and virtue in their community. This evocative beginning hints at underlying tensions, especially concerning family rivalries and the secrets they bear, laying the groundwork for a compelling exploration of relationships and identity.
Samlade Skrifter #28. Hemsöborna och Skärkarlsliv
"Samlade Skrifter #28. Hemsöborna och Skärkarlsliv" by August Strindberg" is a novel written in the late 19th century. The story revolves around the character Carlsson, a new servant who arrives to work on Hemsö Island. He encounters a variety of local inhabitants and their ways of life as he attempts to improve the neglected farm with his knowledge and abilities. The opening of the novel introduces Carlsson as he arrives at Hemsö on a spring evening, illustrating his naivety and excitement to adapt to his new position. As he meets the island’s residents, including Clara and Lotten, the scene is set with a vivid description of the landscape and local customs. His interactions reveal his eagerness to learn and his struggle to fit in, contrasted with the locals who are skeptical of his abilities, particularly in handling the farm's affairs. Carlsson’s determination is evident as he contemplates how to make a mark in this new environment, setting the stage for his journey of self-discovery and the challenges he will face in this unfamiliar setting.
Legends: Autobiographical Sketches
"Legends: Autobiographical Sketches" by August Strindberg is a collection of autobiographical essays written in the early 20th century. This work delves into Strindberg's personal experiences, thoughts, and reflections, particularly focusing on the turbulence of his life during his middle years. Through a lens that intertwines existential thought with vivid anecdotal accounts, the sketches explore themes of personal suffering, social critique, and the exploration of the human psyche. At the start of the collection, Strindberg introduces the setting of his life's struggles, particularly emphasizing a period of financial ruin and social isolation while residing in Lund, Sweden. He presents himself as a "possessed exorcist," grappling not only with external adversities, such as lack of financial means and acceptance from society, but also with intense spiritual and psychological turmoil. The narrative paints a picture of a man at war with himself, navigating through loneliness, financial hardship, and the challenge of reconciling his past beliefs with his current reality. With encounters that blur the lines between reality and the supernatural, Strindberg lays the groundwork for a deeply reflective exploration of the human condition, hence setting the tone for the rest of the sketches that follow.
There Are Crimes and Crimes
"There Are Crimes and Crimes" by August Strindberg is a play written during the late 19th century. This comedy delves into the complexities of human relationships, morality, and the hidden crimes that transcend legal bounds, often exploring the internal struggles of its main characters, such as Maurice, a playwright, Jeanne, his mistress, and their daughter Marion. The work navigates themes of faith, love, and the societal consequences of personal choices. The opening of the play sets a somber tone in a Parisian cemetery, where Jeanne and their daughter Marion are waiting for Maurice. The scene introduces the discontent and emotional turmoil of Jeanne, who fears abandonment, foreshadowing the struggles Maurice faces as he grapples with looming success and the implications it has on his family. As Maurice arrives, the dialogue reveals his conflicting feelings towards his family and career ambitions. Through conversations with other characters, Strindberg hints at deeper issues regarding faith, duty, and the potential consequences of Maurice's choices, setting the stage for the unfolding drama of interpersonal conflict and moral questioning inherent throughout the play.