Author

George P. (George Putnam) Upton

1834-1919

George P. (George Putnam) Upton (1834-1919) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

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Subjects

Books by George P. (George Putnam) Upton

The Standard Cantatas: Their Stories, Their Music, and Their Composers
 A Handbook

"The Standard Cantatas: Their Stories, Their Music, and Their Composers" by George P. Upton is a comprehensive handbook written in the late 19th century. This work serves as a guide to the cantata genre, including sketches of notable works and biographies of their composers, while also providing an analysis of the history and evolution of the cantata form. It aims to educate music enthusiasts—particularly those who are not trained musicians—about the significant contributions to this musical tradition. At the start of the book, Upton introduces the concept of the cantata, tracing its origins and development from early Italian music through to its various adaptations. He discusses the challenges of defining what constitutes a cantata due to its flexible nature and the wide range of compositions it encompasses. The opening sections highlight the contributions of key composers, including Bach, Berlioz, and Beethoven, offering insights into their notable works and the contexts from which they emerged, setting the stage for a detailed exploration of significant cantatas in the chapters that follow.

The Standard Oratorios: Their Stories, Their Music, And Their Composers

"The Standard Oratorios: Their Stories, Their Music, And Their Composers" by George P. Upton is a comprehensive handbook written in the late 19th century. This work serves as a companion to the author's previous publication on operas, detailing the narratives, musical compositions, and biographical sketches of notable oratorio composers. The book aims to explore significant oratorios, their historical context, and the evolution of this sacred musical form. At the start of the book, Upton lays the groundwork for understanding the oratorio by detailing its definition and historical origins. He explains how the oratorio evolved from early religious performances into a distinct musical genre that incorporates dramatic elements similar to opera. The opening portion also delves into the development of the oratorio through key figures and works in music history, setting the stage for a detailed examination of various significant oratorios and their composers throughout the text.

The Standard Light Operas, Their Plots and Their Music

"The Standard Light Operas, Their Plots and Their Music" by George P. Upton is a comprehensive reference handbook written in the early 20th century. This work focuses on the plots and musical elements of various light operas and operettas, aimed at enriching the understanding and appreciation of these popular performances for general audiences rather than musicians or scholars. The opening of the book introduces the author’s intention to address the growing popularity of light operas by providing readers with details about notable pieces and their respective stories. Upton notes the challenges of selecting "standard" works due to the overwhelming number of operettas and musical comedies being produced at the time. He emphasizes a more accessible discussion of the operas featured in the book, indicating that the texts will be described for enjoyment rather than in-depth critique, to cater to the opera-goers’ interests. Through this introduction, readers gain insight into what they can expect in terms of both the selection of works covered and the author's approach to their discussion.

Letters of Peregrine Pickle

"Letters of Peregrine Pickle" by George P. Upton is a collection of humorous essays and social commentary written in the late 19th century. The book is a compilation of letters initially published in the Chicago Tribune, featuring a variety of characters and observations about life, society, and the quirks of human behavior. The letters cover topics from social gatherings to personal anecdotes, drawing a vivid picture of the author's perspectives on contemporary issues. The opening portion of the book introduces the reader to the context of the collection, explaining that the letters were penned under the pseudonym "Peregrine Pickle" and had an ephemeral quality, catering to the social landscapes of the day. Upton creates a lively backdrop of characters, such as Old Blobbs and Mrs. Blobbs, who represent different facets of society, while the essays touch on themes ranging from seasonal festivities to the peculiarities of church etiquette. Through humor and sharp wit, Upton brings to life the vibrant social scene of his time, setting the stage for further exploration of various social topics in the ensuing letters.

The Standard Operas: Their Plots, Their Music, and Their Composers
 (12th edition)

"The Standard Operas: Their Plots, Their Music, and Their Composers" by George P. Upton is a comprehensive handbook on operas, published during the late 19th century. This work aims to provide readers with a brief but informative overview of operas likely to be performed during regular seasons, featuring insights into each composer's biography, the plot of the operas, notable musical elements, and historical context. The opening of the handbook introduces its objectives and methodology, emphasizing the author’s intent to present accessible information to opera enthusiasts, regardless of their musical education. Upton includes a preface that outlines the structure of the book, detailing the inclusion of prominent scenes, notable musical pieces, and original casts. Following the preface, the contents list various notable composers, such as Auber and Donizetti, along with their signature works, indicating that the subsequent chapters will delve into individual operas, exploring their unique stories, scores, and their contributions to the operatic repertoire.