Subject
Decoration and ornament Books
Best books
Alfred C. (Alfred Cort) Haddon
Evolution in Art: As Illustrated by the Life-histories of Designs
"Evolution in Art: As Illustrated by the Life-histories of Designs" by Alfred C. Haddon is a scientific publication written in the late 19th century. The book explores the development of decorative art from a biological perspective, focusing particularly on the art of indigenous cultures, such as those found in British New Guinea. Haddon aims to study the individuality and life-histories of artistic designs, emphasizing that these designs evolve similarly to biological organisms through various stages of origin, growth, and decline. The opening of Haddon’s work presents a comprehensive introduction to his methodology and the foundational concepts guiding his study of art. He expresses gratitude to the various individuals and institutions that assisted him in compiling the data necessary for his research. Focusing on the artistic traditions of 'savage peoples', he outlines his intention to investigate the elements of decorative arts without being confined to aesthetic judgments. Haddon emphasizes that understanding the evolution of art requires examining simpler, less sophisticated forms of expression first, as he sets the stage to delve into the specific decorative art traditions of regions like British New Guinea. This thoughtful, analytical approach provides readers with insight into the intrinsic connections between art and the cultural contexts from which it arises.
Walter Crane
Line and Form (1900)
"Line and Form" by Walter Crane is a treatise on art and design written in the late 19th century. This work centers around the principles of line and form in artistic creation, exploring their historical significance and practical applications in drawing and design. The author presents a variety of methods and approaches for students and practitioners in the arts, aiming to enhance their understanding and capacity for artistic expression. The opening of the book establishes its academic foundation, indicating that it comprises a series of lectures originally delivered at an art school. Crane emphasizes the importance of outline as a fundamental aspect of art, discussing its origins and functions. He introduces various drawing methods, such as the progressive method and the calligraphic method, while also touching on the emotional and textural qualities conveyed through line. The text sets the stage for a deeper exploration of these concepts, framing the subsequent chapters on the language of line and the relationship between line and form in artistic endeavors.
William H. (William Harrison) Varnum
Industrial Arts Design A Textbook of Practical Methods for Students, Teachers, and Craftsmen
"Industrial Arts Design" by William H. Varnum is a textbook of practical methods for students, teachers, and craftsmen, written in the early 20th century. This comprehensive guide focuses on the principles of industrial design, specifically for materials such as wood, clay, and metals, and aims to bridge the gap between design theory and practical application in the industrial arts. The book is intended not only for high school and college students but also serves as a valuable reference for educators in the field. The opening of the textbook presents the author's motivation for writing it and outlines its structure and intended use. Varnum emphasizes the need for a practical approach to design in the industrial arts, highlighting the importance of adapting design principles to specific materials and real-world applications. He introduces the core divisions of industrial arts design, including structural, contour, and surface enrichment, and stresses the necessity of clear communication and understanding between design instructors and students to foster creativity and individuality in crafted works. Each chapter is designed to build upon these foundational concepts, laying the groundwork for effective design education in various industrial contexts.
James Ward
The Principles of Ornament
"The Principles of Ornament" by James Ward is a scientific publication written in the late 19th century. The work serves as a comprehensive guide to the study of ornamental art, detailing the principles, methods, and historical context of various decorative styles. It explores the significance of ornamentation in architecture and design, emphasizing beauty and functionality within artistic expression. At the start of the book, the author and editor outline the purpose and importance of studying ornamental art, even for those not pursuing a career as artists. Ward discusses the benefits of understanding plant forms and their beauty as a foundation for creating effective ornamentation. He emphasizes that true ornament should enhance the shapes and characteristics of the objects it decorates, rather than conceal them. The opening chapters introduce foundational concepts pertaining to ornament and its classification, establishing a framework for understanding the relationship between natural forms and their artistic representation.
Anonymous
The Ladies Book of Useful Information Compiled from many sources
"The Ladies' Book of Useful Information" by Anonymous is a practical reference guide written in the late 19th century. This comprehensive work is designed specifically for women, offering a wealth of knowledge on topics ranging from beauty and health to home management and personal development. It aims to empower women with skills and information that would help them enhance their physical appearance, manage household tasks efficiently, and navigate social complexities. At the start of the book, the author emphasizes the importance of personal beauty and outlines various methods for maintaining a radiant appearance. The opening chapter delves into skincare, hair care, and oral hygiene, highlighting safe and natural remedies rather than harmful cosmetics. The author promises that with the techniques provided, any woman can enhance her natural beauty, with instructions on treating various skin issues and enhancing one’s overall physical appeal. This serves as an introduction to the extensive practical advice that follows, setting the stage for a manual that not only caters to vanity but also prescribes wisdom for nurturing health and domestic skills.
F. W. (Frederick William) Fairholt
Rambles of an archæologist among old books and in old places : $b Being papers on art, in relation to archæology, painting, art-decoration, and art-manufacture
"Rambles of an Archæologist Among Old Books and in Old Places" by Frederick William Fairholt is a collection of art-related essays written in the late 19th century. This work explores the intersections of archaeology, painting, and decorative arts, intertwining historical insights with aesthetic evaluations. Fairholt, being an accomplished archaeologist and author, delves into the historical significance of various artistic forms, making this book appealing to both art enthusiasts and scholars alike. The opening of the book sets the stage for an exploration of the evolution of artistic styles through historical epochs, notably discussing the transition from classical Roman art to medieval expressions and ultimately to the Renaissance. Fairholt introduces the reader to the impacts of ancient artwork on later periods, emphasizing the complexities and adaptations of styles as culture and context evolved. He also hints at the rich anecdotal history surrounding various art forms that will be the focus of subsequent chapters, promising a narrative that combines scholarly discourse with captivating stories.
Walter Crane
The Bases of Design
"The Bases of Design" by Walter Crane is a comprehensive guide on the principles of design written in the late 19th century. This work is not merely a technical manual but a philosophical exploration of how various arts of design intertwine, stressing the importance of understanding design within the context of architecture and utility. Crane emphasizes the need for unity in design, particularly as the divisions among art forms become more pronounced due to commercial competition. The opening portion of the book sets the stage for a deeper investigation into the nature of design, rooted in architecture as "the queen and mother of all the arts." Crane outlines the complexity and variety encompassed in the study of design, which he intends to approach by exploring the origins, influences, and characteristics of diverse artistic forms. He begins with foundational questions regarding the nature of designs, how they develop in relation to practical needs, and their connections to architectural forms, setting a groundwork that suggests future discussions will delve into various aspects of design history, culture, and practice.
T. F. Bell
Jacquard Weaving and Designing
"Jacquard Weaving and Designing" by T. F. Bell is a technical manual focused on the craft and mechanics of jacquard weaving, written in the late 19th century. The book serves as a comprehensive guide for manufacturers, workers, and students in the field of textile design and weaving, aiming to elucidate both the artistic and technical aspects of jacquard looms and machinery. It promises to enhance the reader's understanding of weaving processes and design intricacies, empowering those involved in textile arts. The opening of the work introduces the subject of jacquard weaving, clarifying that this technique extends beyond the traditional use of shafts, to include various advanced methods of harness weaving. Bell discusses the evolution and capabilities of different machines used in the weaving process, highlighting the complexities of managing multiple shafts and the interplay of mechanics and design. He emphasizes the significance of understanding both the technical functionalities and the artistic applications, laying the groundwork for further detailed exploration of specific jacquard machines and harness designs in subsequent chapters.
John Ruskin
The Two Paths
"The Two Paths" by John Ruskin is a series of lectures on art, its principles, and its impact on society, delivered in the mid-19th century. This work explores the relationship between art and its moral implications, focusing on how the practice of art can elevate or degrade nations and individuals. Ruskin discusses various schools of art and design while emphasizing the importance of observing and interpreting nature. At the start of the lectures, Ruskin reflects on the contrasting effects of art on the moral character of nations, particularly comparing the artistic expressions of India and Scotland. He notes that while Indian art is full of imaginative aesthetics, it often strays away from the natural world. In contrast, he highlights the nobility and virtue found in the Scottish people's connection to their natural landscape, seeing this as a crucial factor in shaping their moral disposition. Ruskin urges his audience to recognize the vital role of art in society and to choose paths that cultivate a genuine appreciation for natural beauty, as he believes this leads to both personal and societal growth.
Amor Fenn
Design and Tradition A short account of the principles and historic development of architecture and the applied arts
"Design and Tradition" by Amor Fenn is a scholarly exposition on architectural principles and the historic evolution of design, written in the early 20th century. The text examines the interplay between art, culture, and social conditions, focusing on how historical styles and materials influence contemporary design practices. It aims to provide understanding and guidance on effective design principles, catering particularly to aspiring artists and designers. The opening of "Design and Tradition" establishes the author's belief that true design comes from a synthesis of historical inspiration rather than pure originality. Fenn emphasizes that the imagination is shaped by personal experiences and external influences, asserting that even the most creative endeavors are derived from earlier forms and ideas. He discusses the essential training for designers, highlighting the importance of engaging with the historical context of design, as well as understanding materials and production processes. This serves as a foundation for future explorations into various styles and techniques, laying the groundwork for a thorough historical review in the following chapters.
Christopher Dresser
Principles of Decorative Design Fourth Edition
"Principles of Decorative Design" by Christopher Dresser is a comprehensive guide on the theories and applications of design written in the late 19th century. The book seeks to educate readers about the art of ornamentation as it relates to industrial manufacturing, sharing insights to help both artists and tradespeople to create beautiful and functional works. Dresser’s writing reflects a belief in the importance of beauty and its economic value, arguing that art can enhance the worth of ordinary materials. The opening of the work introduces the author's intent and foundational principles of decorative design, emphasizing the significance of art knowledge in elevating ordinary crafts to valuable creations. Dresser addresses the reader directly, instructing working men who lack formal education but wish to refine their skills and aesthetics. He discusses the interplay between art, utility, and beauty, stressing that mastery of design principles empowers individuals to distinguish and create pleasing aesthetics. Through diligent study and application of these principles, he advocates that anyone can appreciate and enhance their decorative skills, thereby improving both personal and national prosperity.
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Sixth annual report of the Bureau of ethnology. (1888 N 06 / 1884-1885)
"Sixth Annual Report of the Bureau of Ethnology" by J. W. Powell is a scientific publication written in the late 19th century. This comprehensive report details the Bureau's activities and findings regarding ethnological studies, primarily focusing on North American Indian tribes during the fiscal year 1884-1885. It covers various aspects such as field work, linguistic studies, archaeological explorations, and the publications produced, providing an in-depth analysis of the cultural, linguistic, and artistic practices of Native American peoples. The opening of the report includes a letter of transmittal, along with an introduction that outlines the Bureau's ongoing research efforts among North American Indians. It describes the systematic operations related to mound explorations, linguistic fieldwork, and cultural studies undertaken across different tribes. Moreover, specific details about various assistants and their contributions to the research are highlighted, indicating a collaborative effort in documenting the languages, traditions, and artifacts of Native Americans, all of which serve as an invaluable resource for anthropologists and historians.
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