Author
Henri Borel
1869-1933
Henri Borel (1869-1933) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Henri Borel
Leliënstad
"Leliënstad" by Henri Borel is a novel written in the late 19th century. The story revolves around a young man named Paulus, who is deeply troubled by the stark contrasts of suffering and opulence in the city he inhabits. With a strong desire for justice and compassion, he feels that salvation may come from the idealized figure of Princess Leliane, who resides above the urban squalor in a regal palace. The opening of "Leliënstad" paints a vivid and bleak scene, immersing readers in the harsh realities of a wintery metropolis shrouded in mist and despair. Paulus stands on a bridge, reflecting on the desolation surrounding him, where the poor struggle for survival beneath the indifference of the affluent. He eyes the majestic palace above, feeling a deep yearning for the princess to descend and bring hope and salvation to the suffering masses. The tension escalates as Elias, a friend of Paulus, explains the grim fate of the proletariat, setting the stage for Paulus's quest to seek an audience with the princess to plead for compassion and change in their dire situation.
De Chineesche Filosofie, Toegelicht voor niet-Sinologen, 2. Lao Tsz'
"De Chineesche Filosofie, Toegelicht voor niet-Sinologen, II. Lao Tsz'" by Henri Borel is a scholarly exploration of Chinese philosophy, specifically focusing on the teachings of Lao Tsz, likely written in the late 19th century. This work aims to make the complex ideas of Lao Tsz accessible to readers without a deep background in Chinese studies, highlighting the challenges and unique nature of interpreting classical Chinese texts. It delves into the fundamental principles of Lao Tsz’s philosophy, such as the concept of Tao and the nature of virtue (Teh), asserting their relevance and importance. The opening of the text serves as an introduction to both the author’s intentions and the philosophical concepts to be discussed. It emphasizes the difficulties involved in translating Chinese classical works due to the idiographic nature of the language and critiques how prior translations may have created misunderstandings about Lao Tsz's teachings. Borel expresses a desire to present Lao Tsz’s philosophy—rooted in simplicity, humility, and a deep understanding of nature—in a more relatable way, specifically for a Western audience. The foundation is set for a comprehensive study that promises to unpack the profound wisdom embedded in the "Tao Teh King," encouraging readers to engage with these ancient ideas in a modern context.
Kwan Yin: Een boek van de Goden en de Hel
"Kwan Yin: Een boek van de Goden en de Hel" by Henri Borel is a philosophical and artistic exploration of Chinese Buddhism and culture, likely written in the early 20th century. The text delves into the figure of Kwan Yin, the Goddess of Mercy, illuminating her significance in both religious and artistic contexts. Borel emphasizes the emotional and aesthetic experiences that arise from interacting with Kwan Yin's imagery, seeking to evoke the essence of love, compassion, and forgiveness that she represents within the complex tapestry of Chinese spirituality. The opening of the work sets a reflective tone as Borel discusses his previous writings and addresses critiques of his approach, distinguishing his literary style from purely scholarly works. He expresses a desire to convey the beauty and emotion inspired by Kwan Yin, rather than adhering strictly to scientific analysis. Borel introduces Kwan Yin through a rich description of her iconography, likening her to Western figures like the Holy Virgin, and detailing the pivotal role she plays in alleviating human suffering through her compassionate nature. The text invites readers to contemplate the interplay between art, culture, and spirituality, particularly in relation to the divine feminine as embodied by Kwan Yin in Chinese belief systems.
De Chineesche Filosofie, Toegelicht voor niet-Sinologen, 1. Kh'oeng Foe Tsz' (Confucius)
"De Chineesche Filosofie, Toegelicht voor niet-Sinologen, 1. Kh'oeng Foe Tsz'..." by Henri Borel is a scholarly work written in the late 19th century. This book serves as an introduction to the philosophy of Confucius, specifically tailored for readers unfamiliar with Chinese studies. Borel aims to present Confucian philosophy in an accessible manner for a Dutch audience, particularly focusing on its moral foundations and political implications, which he argues are crucial for understanding Chinese societal structures. The opening of the work outlines Borel's motivation for writing this book, highlighting the scarcity of literature on Chinese philosophy in the Dutch language. He expresses a desire to make Confucian ideas comprehensible to those involved in governance and administration in Dutch colonies, where interactions with Chinese communities were prevalent. Borel discusses the fundamental concepts of Confucius’ philosophy, emphasizing the importance of the "Sing" (human nature) and "Tao" (the path of virtue), alongside the significance of moral education (Kiao) in achieving an ideal society. The introduction sets the stage for a deeper exploration of Confucian texts, aiming to illuminate their principles for the broader public.
Vlindertje: een Haagsche roman
"Vlindertje: een Haagsche roman" by Henri Borel is a novel written in the early 20th century. The story unfolds in The Hague and revolves around the character Ellie, a young and delicate woman who is deeply involved in the social life and fashion of her time. The narrative explores themes of superficiality, the complexity of social roles, and the innocence of youth amidst a world of expectations. The beginning of the book introduces Ellie as she engages in a lively conversation about fashion with her brother, Pim. They discuss her wardrobe choices and the latest trends, showcasing the mundanity and importance of appearances in their society. The setting is vividly described, capturing Ellie’s ornate boudoir and her essence as a charming, ethereal "vlindertje" (little butterfly). The dynamic between Ellie and her family, particularly her affectionate bond with her brother Pim, hints at deeper themes of dependency and attachment, setting the stage for the intricacies of their lives in the context of social expectations and personal identities.
Leliane: een modern sprookje
"Leliane: een modern sprookje" by Henri Borel is a fictional novel written in the early 20th century. The story unfolds in a fantastical setting, focusing on a young boy named Paulus who lives in an ancient forest with his grandfather, Willebrordus. The narrative hints at elements of magic and adventure, particularly revolving around the mysterious and enchanting figure of Princess Leliane. The opening of the novel introduces us to Paulus, a boy profoundly connected to the natural world around him, communicating with trees, flowers, and animals, while leading a sheltered life away from human civilization. He is raised by his wise grandfather, who teaches him about the stars and the beauty of nature. The tone of the beginning suggests a tranquil and idyllic existence until it culminates in Paul's destiny intertwining with Princess Leliane, the last of her royal lineage, who, after a misadventure, finds herself in his forest. Their fateful meeting sets the stage for themes of love, innocence, and the clash between the serenity of nature and the complexities of the human world.
Een Droom
"Een Droom" by Henri Borel is a novel written in the late 19th century. The story revolves around the character Rudolf de Wall, a melancholic poet struggling with despair and illness, who is brought to the idyllic mountain town of Tosari in Indonesia by his friend Henri, hoping that the serene environment and fresh air will rejuvenate his spirit and health. The narrative explores themes of nature’s healing power, existential contemplation, and the contrasting realities of life. The opening of the novel sets up the backdrop of Rudolf’s plight, revealing his emotional turmoil following the death of his young wife, which has rendered him reclusive and disenchanted with life. As Henri recounts his memories with Rudolf, he underscores the importance of their friendship and the depths of Rudolf's despair. After much persuasion, Rudolf agrees to the journey to Tosari, where the beauty of the landscape and the refreshing mountain air promise to revive him. Upon arrival, he begins to react positively to his surroundings, rekindling his childhood joy as he revels in the breathtaking scenery. His connection to both the vibrant nature and his sister Mary, who cares for him, is highlighted, as well as hints at the underlying tension of Rudolf's unresolved grief and the fragility of life itself.
Wijsheid en Schoonheid uit China
"Wijsheid en Schoonheid uit China" by Henri Borel is a reflective work blending travel narrative and ethnography, likely written in the late 19th century. The text explores Chinese culture and aesthetics through the author’s personal experiences and observations made during his time in China, celebrating its beauty and wisdom. It contrasts the author's Western perceptions with his appreciation for Chinese customs, artistry, and philosophy. At the start of the work, Borel shares his initial love for China, describing the breathtaking landscapes and the elegance of its people, which he finds deeply soothing compared to Western bourgeois culture. He expresses admiration for the aesthetic sense of the Chinese, noting their reverent treatment of aesthetic objects and their graceful demeanor. The narrative unfolds with vivid imagery of the land and its inhabitants, illustrating Borel's enchantment with the culture's profound simplicity and wisdom. He reflects on poignant encounters that reveal the Chinese people's relationship with beauty, nature, and even death, setting up a deeper exploration of their cultural values and societal norms throughout the book.
Wijsheid en schoonheid uit Indië
"Wijsheid en schoonheid uit Indië" by Henri Borel is a reflective travelogue written in the early 20th century. This work delves into the cultural and philosophical insights that the author gains during his experiences in the Dutch East Indies, juxtaposing his Western perspective with the richness of Eastern life and spirituality. The book likely explores themes of beauty, wisdom, and the contrasts between cultures. The opening of the narrative captures the author's anticipation and introspection as he prepares to leave his isolated post on the island of Tandjong Pinang to travel to Singapore. He envelops the reader in vivid descriptions of his surroundings, detailing the oppressive heat, the muted vitality of life in the tropics, and the alluring yet alien promise of the larger world beyond. As he boards the boat, he marvels at the landscape and contemplates the contrasting emotions of liberation and alienation that emerge from living far from the "great life" of civilization. This initial segment sets the stage for a journey not just across geographical boundaries but also through the complex layers of identity and belonging in a colonial context.
De Geest van China
"De Geest van China" by Henri Borel is a philosophical exploration written in the late 19th century. The book aims to elucidate the essence of Chinese culture through its religion, philosophy, and art, contrasting Western interpretations with a more authentic understanding. Borel draws upon his experiences and studies, reflecting on the spirit of Chinese civilization, to present a richer narrative than what is often perceived through a Eurocentric lens. At the start of the work, the author expresses his desire to write a companion piece to Okakura's "The Spirit of Japan." He critiques previous Western interpretations of Chinese culture, arguing they often oversimplify or misunderstand its deeper philosophical underpinnings. Borel introduces his reflections on various elements of Chinese life, including spirituality, aesthetic appreciation, and cultural reverence, through a vivid narrative that blends personal experience with philosophical inquiry. His aim is not only to share knowledge but also to evoke the profound beauty and complexity inherent in Chinese thought and culture.
Het Jongetje
"Het Jongetje" by Henri Borel is a novel written in the late 19th century. The story revolves around a young boy named Paul, who is caught in the innocence of childhood as he navigates his feelings for a girl named Corrie, exploring themes of love, purity, and the stark contrasts between childhood and adulthood. At the start of the story, we are introduced to Paul, a delicate and somewhat awkward boy, who, despite wearing long trousers indicative of his growing up, is still very much a child at heart. He possesses a fascination with girls, particularly with Corrie, whom he finds enchanting and otherworldly. The opening describes his innocent and pure infatuation for Corrie, painting a picture of their childhood interactions, such as their playful encounters in the zoo and the tenderness of their budding relationship. Paul's world is filled with simple joys, from the beauty of nature to the complexity of his feelings—an emotional journey that sets the tone for the unfolding narrative.