Author
Arturo Graf
1848-1913
Arturo Graf (1848-1913) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Arturo Graf
Foscolo, Manzoni, Leopardi: saggi Aggiuntovi preraffaelliti, simbolisti ed esteti e letteratura dell'avvenire
"Foscolo, Manzoni, Leopardi: saggi" by Arturo Graf is a collection of literary essays written in the early 20th century. This work critically engages with the writings and legacies of significant Italian literary figures, such as Ugo Foscolo, Alessandro Manzoni, and Giacomo Leopardi, while also touching upon broader literary movements and ideas. The essays delve into themes of romanticism and classicism, exploring the complexities of the authors' works and their implications within the context of Italian literature. The opening of the collection presents a reflection on Ugo Foscolo and his novel "Ultime lettere di Jacopo Ortis." Graf analyzes the depth and psychological complexity of the main character, Jacopo, contrasting his passionate nature with his despair regarding love and political circumstances. Through this analysis, Graf highlights the inherent contradictions in Jacopo's psyche and critiques Foscolo's portrayal of love versus political engagement. The essay serves as an introduction to the recurring themes and analytical style that Graf employs throughout the collection, urging readers to ponder the intricate relationships between emotion, society, and literature.
Roma nella memoria e nelle immaginazioni del Medio Evo vol. II
"Roma nella memoria e nelle immaginazioni del Medio Evo vol. II" by Arturo Graf is a historical account written in the late 19th century. This volume explores how the city of Rome was remembered and imagined during the Middle Ages, particularly through various legends surrounding historical figures. The book discusses the interplay between history and mythology, focusing on pivotal characters like Emperor Trajan. At the start of the work, the focus is on the figure of Trajan as portrayed by Dante as a soul in paradise, despite his historical reputation as a persecutor of Christians. The opening delves into the contradiction between Trajan’s umbra and his treatment in medieval legend, exploring how his narrative evolved over time to emphasize his virtues, particularly his commitment to justice. The text presents an examination of Trajan's acts of benevolence and justice, particularly the well-known legend of his encounter with a widow seeking justice for her slain son, setting the stage for discussions on the synthesis of fact and fiction in the historical memory of Rome.
Miti, leggende e superstizioni del Medio Evo, vol. II
"Miti, leggende e superstizioni del Medio Evo, vol. II" by Arturo Graf is a historical account written in the late 19th century. This volume focuses on various medieval legends, superstitions, and mythological interpretations, delving into figures such as the Pope Sylvester II and exploring themes of demonology, folklore, and historical anecdotes. Graf appears to aim to dissect the myths surrounding key historical figures in the context of medieval beliefs. At the start of the work, the author introduces the legend of Pope Sylvester II, originally known as Gerberto, outlining his remarkable rise from humble beginnings to the papacy while emphasizing the subsequent legends that painted him as a magician and a character associated with dark arts. Graf discusses the misconceptions surrounding Dante's portrayal of corrupt popes and notes the medieval tendency to blend admiration with suspicion of learned individuals like Gerberto. The narrative begins to trace the evolution of Gerberto's legend, highlighting how rumors, anecdotes, and the socio-religious climate of the time contributed to his posthumous characterization as an individual who had made a fatal pact with the devil, intertwining themes of ambition, knowledge, and superstition.
Attraverso il Cinquecento
"Attraverso il Cinquecento" by Arturo Graf is a literary analysis written in the early 20th century. The work explores the themes of Petrarchism and antipetrarchism during the Italian Renaissance, focusing on the complex relationships between poets and their inspirations, notably the enduring influence of Petrarch. Graf examines not only the literary styles and sentiments of the time but also the cultural and societal dynamics that shaped the poetic landscape. The opening of the text sets the stage for this examination by introducing the concept of Petrarchism as a dominant force within Italian literature during the 1500s. Graf describes how this trend, which reveres Petrarch as a literary master, manifests in various forms of imitation across generations of poets. He acknowledges the criticisms and reactions to this overwhelming reverence, leading to a burgeoning antipetrarchism that arose as a pushback against the conventions established by Petrarch's followers. Through a rigorous analysis, Graf aims to dissect these competing literary movements and their cultural implications, providing insights into the broader narrative of Renaissance literary history.
Roma nella memoria e nelle immaginazioni del Medio Evo vol. I
"Roma nella memoria e nelle immaginazioni del Medio Evo vol. I" by Arturo Graf is a scholarly work written in the late 19th century. The book explores the representation and significance of ancient Rome throughout the medieval period, particularly focusing on legends and imaginative narratives that reflect the cultural and historical memory of the city. It addresses how the memory of Rome influenced various aspects of medieval life, showcasing the city’s enduring legacy even in times of decline. The opening of the work presents a preface that sets the stage for Graf's exploration of the topic. The author discusses the rich legacy of legends surrounding ancient Rome and how they shaped perceptions during the Middle Ages. He emphasizes the importance of understanding these legends to grasp the spiritual and intellectual context of the era, arguing that they are integral to the history of Rome itself. Graf aims to contribute a new chapter to the existing historical discourse by shedding light on these imaginative forms, which, despite their fictional nature, reveal profound truths about the cultural attitudes and beliefs of the time.
Miti, leggende e superstizioni del Medio Evo, vol. I
"Miti, leggende e superstizioni del Medio Evo, vol. I" by Arturo Graf is a historical and mythological treatise written in the late 19th century. The work intricately explores the various myths, legends, and superstitions from the Middle Ages, especially focusing on themes such as the myth of Paradise, the fate of the damned, and the belief in fatalism. Through comprehensive analysis, Graf delves into the common human experiences and cultural narratives that shaped medieval thought and continues to resonate in contemporary interpretations of myth. The opening of the volume introduces the reader to the concept of the myth of Paradise, discussing its widespread appeal across different cultures and religions. Graf emphasizes that the idea of an initial state of happiness and innocence shared by humanity is not unique to any one tradition but is a reflection of collective human imagination found in diverse mythological narratives around the globe. He notes how this myth manifests similarly in the traditions of the Indians, Egyptians, Semites, Greeks, and many others, suggesting a deep-rooted connection in human consciousness. By indicating various ancient sources and traditions, he sets the stage for a detailed exploration of how the Paradise myth has evolved over time, as well as its implications for understanding both ancient and modern human experiences.
Il Diavolo
"Il Diavolo" by Arturo Graf is a philosophical treatise written in the late 19th century. This work explores the concept of the devil, drawing from various myths, legends, and theological interpretations. Graf examines the evolution of the figure of Satan from its origins in ancient religions to its representation in Christianity, offering insight into humanity's fear and fascination with evil. At the start of the text, the author dedicates his work to fellow writer Edmondo De Amicis and outlines his intent to present a more accessible version of the devil's lore than what is typically found in academic or scholarly texts. Graf discusses significant themes surrounding the evolution of the devil's image, touching on myths from different cultures that depict the devil as both a fallen angel and a primal force of evil. The opening sets the stage for a deeper exploration into the origins and manifestations of the devil across various beliefs, indicating that the subsequent chapters will delve into historical, psychological, and moral dimensions of the devil's representation throughout different eras.