Author
Gerolamo Rovetta
1854-1910
Gerolamo Rovetta (1854-1910) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Gerolamo Rovetta
La moglie di Sua Eccellenza
"La moglie di Sua Eccellenza" by Gerolamo Rovetta is a novel written in the early 20th century. The story is set primarily in an alpine hotel in Switzerland and revolves around the complex interactions of various characters, particularly focusing on the life of Maria Grazia, a young woman caught in a web of social expectations and personal turmoil. The novel seems to touch upon themes of marriage, wealth, and social class, likely exploring the contrasts between the aristocracy and the nouveau riche. At the start of the narrative, we are introduced to the bustling atmosphere of the Tête-pointue hotel as Mr. Trüb, the hotel manager, frets over the rainy weather that threatens his guest's enjoyment. The opening sequences build up the humor and tension as he interacts with clients, notably a disgruntled baron, and introduces us to various characters, including the demanding missis Eyre, who is obsessed with the hotel's rules and services. We also meet the D’Orea family, who are en route to the hotel and represent the titular "Eccellenza." Through chaotic arrivals and the trivial concerns of the aristocratic guests, Rovetta sets the stage for deeper explorations of personal and societal issues that could unfold as the story progresses.
I Barbarò: Le lagrime del prossimo. vol. 1
"I Barbarò: Le lagrime del prossimo. vol. 1" by Gerolamo Rovetta is a novel written in the late 19th century. The story centers around Pompeo Barbetta, a young man of modest background who navigates life in Milan amidst his aspirations, avarice, and the harsh realities of societal hierarchy. The book delves into themes of class disparity, ambitions for wealth, and personal struggle, making it a compelling read for those interested in character-driven narratives. The opening of the novel introduces us to the foggy streets of Milan on a cold January morning. Pompeo, a young man around twenty, is depicted as somewhat idle and privileged, the only son of a cook. His complacent existence is disrupted when he witnesses the arrest of an honest jeweler, an event that catalyzes a shift in his perspective on wealth and morality. As he contemplates the societal structure that allows dishonest individuals to thrive, Pompeo grapples with new ambitions for financial success. This turmoil sets the stage for his developing character as he begins to explore various methods to acquire wealth, painting a vivid picture of a young man's struggle against the injustices he perceives in his world.
Mater dolorosa
"Mater dolorosa" by Gerolamo Rovetta is a novel written in the early 20th century. The story begins with the duchess Maria d'Eleda embarking on a journey to Palermo with her husband, the duke Prospero Anatolio. However, the emotional turmoil she faces suggests deeper themes of love, societal pressures, and personal sacrifice, particularly as Maria grapples with her feelings for another man, the count Giorgio Della Valle. At the start of the narrative, we are introduced to the emotional landscape of Maria and her husband during their departure. While the duke expresses his sorrow for leaving his children behind, Maria remains composed on the surface, though she internally battles her anguish and fears. Through vivid descriptions and interactions, the author sets a stage for the conflicts that arise from societal expectations and personal desires, highlighting Maria's struggle between her duties as a wife and her feelings towards Giorgio. This opening not only establishes the main characters but also hints at the complexities of their relationships that will unfold throughout the novel.
I Barbarò: Le lagrime del prossimo. vol. 2
"I Barbarò: Le lagrime del prossimo. vol. 2" by Gerolamo Rovetta is a novel written in the late 19th century. The story features Francesco Alamanni, a dedicated conspirator and soldier who upholds the ideals of past romantic struggles while navigating complex social and familial relationships. Central to the narrative is the budding romance between Mary Alamanni and Giulio Barbarò, which is met with opposition from Alamanni due to the controversial reputation of Giulio's father, Pompeo Barbarò, creating tension between personal desire and societal expectations. At the start of the novel, we meet Francesco Alamanni, who grapples with his past and present while recovering from wounds in an Innsbruck hospital. As he writes to his friend seeking information about Pompeo Barbarò, he's troubled by the conflicting reports he's received. Meanwhile, his niece Mary wrestles with her feelings for Giulio, the son of Pompeo, conflicting with her uncle's disapproval based on old rumors surrounding Giulio's father. The dynamics of love, duty, and perception collide as the characters navigate their intertwined fates amidst the backdrop of political tension and personal honor. Mary, embodying youthful determination, seeks hope and a future with Giulio despite the obstacles presented by her uncle Francesco's staunch beliefs and societal prejudices.
La trilogia di Dorina: Commedia in 3 atti
"La trilogia di Dorina: Commedia in 3 atti" by Gerolamo Rovetta is a theatrical play written in the late 19th century. The story centers around the character Dorina, navigating the complexities of love, societal expectations, and personal aspirations within the backdrop of Lombardy, Milan, and Rome. With themes reflecting the tensions of class and emotional commitment, this play brings to life the tensions between duty and desire, shaped by the relationships between Dorina and other characters such as Niccolino and the Marchesa Fulvia. The opening of the play introduces us to a lively gathering in the villa of Marchesa Fulvia, where several characters interact around Dorina, an aspiring musician, and her entangled relationships. As she engages with Niccolino, we sense the underlying romantic tension as he expresses jealousy towards her connection with Edoardo Costantini, her music teacher. The comedy unfolds through quick-witted dialogues and the comedic potential of misunderstandings surrounding social expectations—particularly about marriage—and highlights Dorina’s struggles between her ambitions and familial duties. The scene is set for drama and humor, drawing the audience into a significant familial and romantic discourse as Dorina’s mother prepares to depart and her future path hangs in the balance.
La Signorina: Romanzo
"La Signorina: Romanzo" by Gerolamo Rovetta is a novel written in the late 19th century. The story revolves around Francesco Roero, a young and passionate artist, who is entangled in a tumultuous romance with the captivating Baroness Stefania d'Eichelbourg, affectionately known as Fáni. His longing for her leads to intricate emotional struggles, societal conflicts, and the painful aftermath of a tragic duel, ultimately exploring the themes of love, sacrifice, and honor. At the start of the novel, we meet Francesco anxiously awaiting a visit from Fáni, reflecting on the intense feelings that bind him to her. His impatience and desperation are palpable as he recounts his turbulent thoughts while waiting behind his door. The narrative quickly dives into the dynamics of their relationship as Fáni finally arrives, sparking a passionate but tumultuous encounter marked by personal desires and social expectations. As their conversation unfolds, tensions arise surrounding their differing views on art and societal norms, leading to a major turning point in the story—a duel that sets the stage for Francesco's internal conflict and the dire consequences that follow. As the opening closes, it leaves readers anticipating the complexity of Francesco’s character and the emotional weight of the choices he must face.
L'idolo
"L'idolo" by Gerolamo Rovetta is a novel written in the early 20th century. The story centers around Giordano Mari, an esteemed speaker and historian, whose captivating oratory captures the hearts of many, particularly the young and impressionable Emma Dionisy. The novel delves into themes of love, ambition, and societal dynamics within the artistic and literary circles of Milan. At the start of the narrative, we find ourselves in a grand hall in Milan where Giordano Mari is delivering a passionate lecture on the precursors of the Revolution. His eloquence and charm draw the attention of the audience, especially Emma, who is enraptured by his words. Meanwhile, two other male characters, Nino Sebastiani and Guido Bardi, engage in a subtle rivalry for Emma’s affection, showcasing their jealousy over her interest in Mari. As their interactions unfold, the stage is set for a complex exploration of relationships, ambitions, and the societal expectations placed upon women and men in this vibrant setting.
Romanticismo: dramma in 4 atti
"Romanticismo: dramma in 4 atti" by Gerolamo Rovetta is a dramatic play likely written in the early 20th century. The work appears to explore themes of love, patriotism, and the social and political struggles of Italy during the tumultuous period of the Risorgimento. The opening introduces several key characters, including Count Vitaliano Lamberti, Giuditta Ansperti, and various others involved in the drama, setting the stage for their intertwining fates against a backdrop of national strife. The beginning of the drama establishes a poignant atmosphere as it reveals Giuditta's deep turmoil over her husband, Tito Ansperti, who has been arrested and faces dire consequences. The scene opens in a modest pharmacy, where Giuditta grapples with despair, while interactions with the character Faustino hint at the broader societal challenges affecting their lives during the mid-19th century. Count Lamberti's entrance suggests a pivotal connection to Giuditta's struggle, as he not only represents wealth and status but also embodies the conflict between personal desires and nationalistic fervor, setting the tone for the unfolding drama filled with emotional and political stakes.
La realtà: dramma in 3 atti
"La realtà: dramma in 3 atti" by Gerolamo Rovetta is a dramatic work written in the late 19th century. This play revolves around the life of Francesco Quarnarolo, an enthusiastic and committed socialist leader striving for the rights and recognition of workers in an increasingly volatile social climate. The story unfolds within the backdrop of industrial and labor struggles, highlighting the complexities of love, loyalty, and social justice. At the start of the play, Francesco stands on the balcony addressing a cheering crowd, celebrating his election as the president of labor associations. Surrounded by his close companions, he exudes confidence and joy over their shared accomplishments, while also reminiscing about the struggles they've faced. The opening introduces key characters, including his daughter Sofia, who admires him, and Anna Santer, his romantic interest, who adds emotional tension to his life. The atmosphere is charged with fervent revolutionary spirit, and there are hints of impending challenges, as Francesco must navigate both personal relationships and the harsh realities of his political ambitions.
Il Re burlone: Dramma in 4 atti
"Il Re burlone: Dramma in 4 atti" by Gerolamo Rovetta is a theatrical drama written in the early 20th century. Set in the context of the Kingdom of Naples, the play revolves around the court and political intrigues involving King Ferdinando II, his royal family, and various courtiers. The narrative delves into themes such as power, societal norms, and the role of the performing arts during a time of political tension. At the start of the drama, we are introduced to the characters and the lively atmosphere surrounding an opera performance in Naples. The scene unfolds in the "Albergo del Giglio d'Oro," where the excitement of the evening is palpable with the arrival of Rosalia Mirabella, a celebrated prima donna, her sister Fannya, and various members of the court. As they prepare for a festive gathering, the characters engage in humorous banter, highlighting their relationships and social dynamics, while hints of underlying tensions regarding royal authority and artistic expression begin to emerge. The opening captures a vibrant setting, rich with anticipation, laughter, and the complex interplay between personal aspirations and political realities, drawing readers into the world Rovetta creates.
Sott'acqua: racconto
"Sott'acqua: racconto" by Gerolamo Rovetta is a novel written in the late 19th century. The story centers around Count Eriprando degli Ariberti and Countess Elisa Navaredo, exploring themes of love, class disparity, and personal ambition against the backdrop of societal expectations in the period. Their evolving relationship, filled with tender moments and social complexities, hints at both romantic and emotional tensions. At the start of the novel, readers are introduced to Count Eriprando and Countess Elisa, who share an intimate conversation revealing the nuances of their affection and the challenges they face in their lives. While Elisa, the more established figure, juggles her societal obligations and the realities of financial constraints, Eriprando is portrayed as a younger and passionate man, yearning for a stable future and a deeper connection with her. The initial chapters set the tone for their developing relationship, intertwining their personal aspirations with their unfolding love story and hinting at further complications that lie ahead.
Casta diva
"Casta diva" by Gerolamo Rovetta is a novel written in the early 20th century. The story revolves around Gerardo Parvis, a disillusioned ex-minister who is grappling with the complexities of political life and personal relationships. As he navigates his feelings of nostalgia and turmoil, the character of Teo, his dog, serves as a source of comfort and companionship, reflecting the deeper emotional currents present in Gerardo's life. The opening of the novel introduces us to the political landscape and character dynamics that set the stage for the narrative. Gerardo Parvis, recently resigned from his ministerial position, expresses his frustration with the inefficacy and cowardice of his political colleagues. His servant, Prospero, silently attends to him, revealing the dynamics of their relationship. Through their exchanges, we see Gerardo's disdain for political maneuvering contrasted with a sense of loyalty from Prospero. The arrival of Teo, Gerardo's lively dog, elicits a poignant introspection from Gerardo about love and loss, particularly in memory of a departed beloved, Flaviana. This establishes a rich emotional foundation, hinting at themes of memory, loyalty, and the quest for genuine connection amidst the superficiality of political posturing.
La baraonda
"La Baraonda" by Gerolamo Rovetta is a novel written in the late 19th century. This work depicts the turbulent lives of two young women, Nora and Evelina, who navigate their ambitious dreams amidst the chaos of a boisterous household led by their guardian, Matteo Cantasirena. Themes of aspiration, societal expectations, and personal struggles are likely at the core of this narrative. The opening of the novel introduces us to Nora, who bursts into the home, frustrated by hunger and the absence of their servant, Gioconda, who has gone to run an errand. As Nora's impatience grows, we learn about her aspirations of rising above her circumstances, contrasting with Evelina's more subdued existence. Cantasirena, whom they call "zio," is portrayed as a complex figure with a flair for grandiosity yet deeply entangled in financial turmoil, reflecting the precariousness of their lives. Evoking a blend of personal dynamics, societal critique, and the relentless pursuit of one's dreams, the beginning sets an engaging stage for the unfolding drama.
Ninnoli
"Ninnoli" by Gerolamo Rovetta is a novel written in the late 19th century. The story introduces us to Domenico Ghegola, an individual characterized by his cowardice despite a longing for the life of a hero. As the narrative unfolds, Ghegola grapples with feelings of inadequacy, political fervor, and his tumultuous interactions with friends and romantic interests, particularly regarding his response to challenges that threaten his honor. The opening of "Ninnoli" establishes Ghegola as a timid man who dreams of bravery but consistently shies away from conflict. Set against the backdrop of the 1859 war, he fantasizes about rushing into the fray, yet remains paralyzed by inaction. His cowardice leads to ridicule among his peers, but as social pressures mount, Ghegola concocts a plan involving a duel with his provocateur, Aimoni. However, his overwhelming fear and self-deception come to the forefront as he prepares for this confrontation, revealing the profound contrast between his aspirations of gallantry and the stark reality of his character. This conflict drives the early narrative and sets the stage for Ghegola's moral dilemmas and personal growth.
Papà Eccellenza : $b dramma in tre atti
"Papà Eccellenza: dramma in tre atti" by Gerolamo Rovetta is a theatrical drama written in the early 20th century. The play centers on Pietro Mattei, an influential public servant in contemporary Rome, and explores themes of family, political ambition, social reputation, and personal integrity. The likely focus of the work is the complex interplay between Mattei's demanding public career and intricate family dynamics, especially involving his beloved daughter Remigia and the tensions with her husband Federico Schmidt. The opening of the drama introduces us to Mattei's household and immediate social circle. Mattei is portrayed as a dedicated and overworked statesman, supported by loyal colleagues and torn by private concerns. The first act reveals conversations that highlight his exhaustion, his reliance on trusted aides, and his intense, almost idolizing affection for his daughter Remigia. As the action unfolds, family conflicts become apparent: there is tension between Remigia and her husband Federico, financial strain due to overspending, and social complications involving the charming but irresponsible Alvise. Questions of social propriety, honor, and mutual misunderstanding set the tone, with scenes unfolding rapidly in Mattei's study and punctuated by lively dialogue, emotional confrontations, and moments of both humor and sorrow. The second act continues these themes, deepening both the political intrigue around rumors of corruption and the personal entanglements at the heart of Mattei's family.
Baby
"Baby" by Gerolamo Rovetta is a novel written in the early 20th century. The story revolves around the lives of the aristocratic society in Verona, focusing particularly on the character of Andrea di Santasillia, who returns after ten years of absence. As he re-enters his former social circles, his presence causes a stir among the local elite, particularly among those vying for his attention. Amidst this backdrop of societal intrigue and relationships, a significant romantic tension also develops, especially with the character of Adele Parabiano. The opening of the novel sets the stage for the return of Andrea di Santasillia to Verona, where his absence has left a notable gap in the social fabric of the town. His arrival creates a buzz among the local elite women, who eagerly contemplate how to win his favor. At the same time, Andrea's demeanor suggests a man burdened by past traumas, particularly the loss of his parents and a complicated relationship with his cardinal uncle. As Andrea navigates these social dynamics, he begins to find solace in the church, where he first encounters a young girl, Adele, who captivates him. Their connection develops amidst Andrea's introspection and complicated feelings about love and societal expectations, hinting at the complexities that will unfold in their relationship throughout the narrative.
Il Tenente dei Lancieri: Romanzo
"Il Tenente dei Lancieri: Romanzo" by Gerolamo Rovetta is a novel likely penned during the early 20th century. This narrative delves into the life of the strong-willed character Signora Maddalena, who runs a successful trading company after her father's passing, showcasing her determination to succeed in a male-dominated environment while juggling her role as a mother and wife. The opening of the story introduces us to the bustling life in Maddalena's shop, where her authoritative disposition commands respect from both her family and employees. Readers meet her family, including her husband Daniele and their children, notably the rebellious Giacomino. The dynamics of their relationships are explored, particularly Maddalena's strict yet ambitious character juxtaposed against her children's varying personalities and desires. The stage is set for themes of familial conflict, societal expectations, and personal ambition as the narrative unfolds, promising a rich exploration of character and circumstance.
Tiranni minimi
"Tiranni minimi" by Gerolamo Rovetta is a novel written in the early 20th century. The book presents a poignant examination of class disparity and the struggles of a young servant girl, Agnese, who navigates a harsh life under the tyranny of her demanding employer, the Countess Orsolina. The story unfolds within a setting that reflects the societal norms of the time, depicting the rigidity and cruelty often found in servant-master relationships. The narrative follows Agnese, a young girl from a poor background who is forced to serve the Countess. Initially, she finds hope in her new role but soon faces relentless hardships and emotional abuse from the Countess, who shows little regard for her struggles. As Agnese endures physical and psychological torment, including deprivation and lack of maternal affection, her health deteriorates. The story ultimately highlights tragic themes of exploitation and the harsh realities faced by the lower classes, culminating in Agnese's untimely death, which leaves a profound impact on the readers and serves as a critique of the societal structures that allow such injustices to persist.