Curated shelf
IT Teatro in prosa
Browse IT Teatro in prosa as a public-domain reading list on Rivro, with free classics, authors, subjects, and related books.
La mandragola - La Clizia - Belfagor
Niccolò Machiavelli
La mandragola - La Clizia - Belfagor
"La mandragola - La Clizia - Belfagor" by Niccolò Machiavelli is a collection of plays written in the early 16th century. The works include comedic pieces that explore themes of love, deception, and societal norms, primarily set in Florence. The opening play, "Mandragola," centers around Callimaco, a young man returning from Paris, who is enamored with Lucrezia, the wife of the simple and naive Messer Nicia. The characters navigate a web of plots and schemes to achieve their desires, revealing both the absurdities and complexities of human relationships. At the start of "Mandragola," we are introduced to Callimaco, who expresses his troubled feelings over his unrequited love for Lucrezia, despite her being married to Nicia. Callimaco confides in his servant Siro about his deep infatuation and his belief that Nicia's foolishness and desire for children might provide him an opportunity to pursue Lucrezia. As Callimaco and Siro discuss potential schemes, they enlist the cunning assistance of Ligurio, who concocts a plan involving a miraculous potion to ensure Lucrezia becomes pregnant, thereby creating the perfect distraction for Callimaco to pursue his romantic interest. The opening sets the stage for a humorous exploration of deception and longing in a society filled with intrigue and moral ambiguity.
Teatro Futurista Sintetico
F. T. Marinetti
Teatro Futurista Sintetico
"Teatro Futurista Sintetico" by F. T. Marinetti, Bruno Corra, and Emilio Settimelli is a theatrical manifesto written in the early 20th century. This work outlines the principles and ideologies of Futurism as they relate to theater, emphasizing brevity and dynamism in performances. The text critiques traditional theater for being overly long and static, and it advocates for a new synthetic approach that captures the fast-paced and fragmented nature of modern life, ultimately aiming to rejuvenate the art of theater. The opening of "Teatro Futurista Sintetico" introduces the authors’ revolutionary vision for the stage, highlighting their desire to create a Futurist theater that is direct, energetic, and stripped of excessive dialogue and elaboration. The authors assert that most of the Italian populace prefers the theater over literature, thus affirming the necessity for a more engaging performance style. They declare their intention to fuse various elements and realities to create simultaneous scenes that reflect the chaotic essence of contemporary life. The initial scenes hinted at in the text showcase contrasting elements of bourgeois domesticity and the vibrant world outside, indicating a blend of narratives meant to provoke thought and emotion in the audience.
Sei personaggi in cerca d'autore
Luigi Pirandello
Sei personaggi in cerca d'autore
"Sei personaggi in cerca d'autore" by Luigi Pirandello is a play written and first performed in 1921. Six mysterious strangers interrupt a theatrical rehearsal, claiming to be unfinished characters abandoned by their author. They demand their dramatic story be staged—a scandalous tale involving forbidden desire, family secrets, and tragic consequences. As the bewildered director attempts to bring their narrative to life, the boundaries between reality and performance dissolve, leaving everyone questioning what is real and what is merely acted.
Una donna
Roberto Bracco
Una donna
"Una donna" by Roberto Bracco is a drama in four acts written in the late 19th century. The play is set in Naples and revolves around Clelia, a young woman who navigates her relationships and the dilemmas of love and financial struggle. The work explores themes of societal expectations, personal sacrifice, and the complexities of feminine identity during that time period. At the start of the play, the setting is established in a modest, somewhat disordered room, hinting at Clelia's current struggles. The opening scenes introduce various characters, including Angiolina, a dress seller, and Mario, Clelia's partner, who expresses concern for her well-being amidst their financial difficulties. The dynamics between Clelia, Mario, and the other characters unfold, revealing tensions arising from Clelia's past choices and her interaction with other suitors such as Gerardo Carsanti. As Clelia tries to reconcile her love for Mario with the reality of their situation, a sense of impending conflict is established, suggesting that her journey will navigate complex emotional and social landscapes.
La prigione; Acqua sul fuoco
Ercole Luigi Morselli
La prigione; Acqua sul fuoco
"La prigione; Acqua sul fuoco" by Ercole Luigi Morselli is a drama in three acts written in the early 20th century. The story unfolds in the grand, historical setting of Siena, featuring characters from the aristocratic Della Lizza family, including Romano and Luisa, as well as their children and various societal figures. The work examines themes of family, societal pressures, and the evolution of traditions amidst personal and economic struggles. At the start of this drama, the reader is introduced to a lavish salon where a gathering of guests enjoys chocolate and conversation. The atmosphere is lively, marked by playful banter and flirtation among the younger characters, such as Gaia and Piero, as well as the daring interactions between Selvaggia and Roberto. As Romano, Luisa’s husband, hides from his family’s accumulating debts and personal turmoil, there is an undercurrent of tension surrounding the family's financial wellbeing, evidenced through discussions amongst the guests about their social standing and obligations. The opening intricately sets the stage for a complex interplay of personal and familial dynamics, suggesting deeper themes of sacrifice and societal expectations that will likely unfold in the following acts.
L'invasore: dramma in tre atti
Annie Vivanti
L'invasore: dramma in tre atti
"L'invasore: dramma in tre atti" by Annie Vivanti is a dramatic work likely written in the early 20th century. The play explores the themes of war and its impact on personal lives, focusing on characters drawn together in a household during times of conflict. The main character, Luisa Brandes, along with her family, faces the intrusion of a foreign enemy, highlighting the tension between domestic life and the encroaching horrors of war. The opening of the play sets a somber tone, introducing the Brandes family in their home while tensions of impending war loom. Luisa is portrayed as a troubled mother, grappling with the absence of her husband, who has gone off to war, while her daughter Mirella tries to maintain a sense of normalcy amidst the chaos. As the act progresses, the arrival of Florian Audet, a cavalry officer, introduces a mix of personal connection and foreboding, as he must navigate the harsh realities that surround them, foreshadowing the struggles they will face as the enemy approaches their village. The blend of personal relationships with the central theme of invasion starkly illustrates the play's exploration of innocence colliding with the brutal realities of war.
La sposa di Mènecle: Comedia in un prologo e tre atti, con note
Felice Cavallotti
La sposa di Mènecle: Comedia in un prologo e tre atti, con note
"La sposa di Mènecle: Comedia in un prologo e tre atti, con note" by Felice Cavallotti is a theatrical comedy likely written in the late 19th century. The work intertwines a legal drama inspired by themes from ancient Greek law and customs, focusing on the central character Mènecle and the tensions surrounding his estate and family claims. This comedy aims to highlight societal norms and the complexities of human relationships in a humorous manner. The opening of the play sets the stage for a courtroom drama in ancient Athens, where the proceedings revolve around the contested inheritance of Mènecle. It introduces key characters such as the prosecutor Beoto and the accused Eudemonippo, a comic playwright facing charges for illicitly portraying citizens in his comedy. The narrative captures the tension between adherence to societal laws and the creative liberties of playwrights, with elements of satire and reflection on contemporary values. As arguments unfold, the characters’ personalities and motivations emerge, setting the tone for a lively exploration of both legal and human intricacies in a comedic format.
Il ferro
Gabriele D'Annunzio
Il ferro
"Il ferro" by Gabriele D'Annunzio is a drama in three acts written in the early 20th century. The play unfolds in a decaying Tuscan villa that evokes both splendor and melancholy, following characters caught in emotional turmoil and fraught familial relations. Central to the narrative are Mortella, a deeply introspective young woman grappling with her feelings towards her estranged mother and her stepfather, Gherardo Ismera, while navigating themes of memory, identity, and longing. At the start of the drama, the audience is introduced to a poignant scene as Mortella reflects on her life and sense of self in the context of her family's troubled past. As she converses with her companion, La Rondine, various themes of love, regret, and nostalgia are explored through their dialogue. This opening setting establishes a tense atmosphere as Mortella’s mental state appears fragile, hinting at her unresolved feelings about her familial bonds and the ominous presence of past grief. The arrival of Gherardo Ismera signals a significant turning point, revealing layers of pent-up emotions that set the stage for the unfolding drama.
Fiori d'arancio
Roberto Bracco
Fiori d'arancio
"Fiori d'arancio" by Roberto Bracco is a one-act play written during the late 19th century. This work, often categorized as a drama, delves into the complexities of education and young love in a rural Italian setting. The story ultimately highlights the poignant transition from childhood to adulthood, encapsulating themes of innocence, societal expectations, and unrequited emotions. The play revolves around a school director, Vannucci, and his interactions with his pupil, Nina, who is on the verge of turning sixteen. As Nina prepares to leave school due to her age, their relationship becomes central to the narrative, revealing a deep emotional connection filled with tension and misunderstandings. Nina's youthful innocence clashes with Vannucci's protective instincts and fears about societal morality. Their exchanges lead to moments of vulnerability, culminating in a dramatic climax when Nina faints during a confrontation with her love interest, Ferdinando. Ultimately, "Fiori d'arancio" explores the bittersweet nature of growing up and the inevitable emotional pains that accompany such transitions.
La quaderna di Nanni Le Commedie, vol. 1
Valentino Carrera
La quaderna di Nanni Le Commedie, vol. 1
"La quaderna di Nanni" by Valentino Carrera is a three-act comedy written in the late 19th century. The play is set in Florence and revolves around the struggles of the main character, Nanni, a cobbler, as he navigates family life while being consumed by an obsession with gambling on the lottery. The narrative touches on themes of poverty, ambition, and the consequences of one's choices, particularly the impact of gambling on familial relationships. The opening of "La quaderna di Nanni" introduces the audience to the challenging living conditions of Nanni's family, showcasing a dialogue between Nanni, his wife Maria, and their children, Oreste and Fiorenza. The family grapples with financial hardships, with Nanni often succumbing to the temptations of playing the lottery. The interactions reveal the tensions within the family as Nanni's fixation with gambling causes friction with Maria and concerns for the future of their children. The dynamics between the characters set the stage for the unfolding drama and comedy, highlighting the contrasting aspirations and realities faced by each family member.
Più che l'amore: Tragedia moderna Preceduta da un discorso e accresciuta d'un preludio d'un intermezzo e d'un esodio.
Gabriele D'Annunzio
Più che l'amore: Tragedia moderna Preceduta da un discorso e accresciuta d'un preludio d'un intermezzo e d'un esodio.
"Più che l'amore: Tragedia moderna" by Gabriele D'Annunzio is a modern tragedy written in the early 20th century. The work revolves around the complex emotional turmoil of its main characters, particularly Corrado Brando and Virginio Vesta, as they navigate themes of love, ambition, and existential struggle. The play offers a poignant exploration of the human condition, intertwined with D'Annunzio's rich poetic language and philosophical reflections. The opening of the tragedy sets the scene in a spacious room belonging to Virginio Vesta, an engineer, where he is engrossed in his work. Corrado Brando enters with a restless and impassioned demeanor, discussing the stark realities and shortcomings of life. Their exchange delves into ideas about the line between ambition and reality, the nature of true life, and the essence of existence itself. As they engage, themes of solitude, courage, and the aspirations of the spirit are revealed, framing a profound discussion that hints at the unfolding drama's emotional and philosophical depths.
La fine dell'amore
Roberto Bracco
La fine dell'amore
"La fine dell'amore" by Roberto Bracco is a satirical play written in the late 19th century. The work presents a complex examination of love and relationships through a cast of characters that include the Marchesa Anna Di Fontanarosa and various suitors who surround her. The play delves into themes of desire, societal expectations, and the nature of love. At the start of the play, the audience is introduced to the lively social setting of Marchesa Anna's salon, situated in a countryside villa. Characters such as Doctor Salvetti, Count Dionigi, and Giuliano D’Alma engage in witty banter, revealing their preoccupations with love and art. The scene unfolds with Anna’s playful and bi-polar demeanor towards her guests, surreptitiously engaging them in flirtation while navigating her own complicated feelings regarding marriage and independence. The opening sets a tone of humor mixed with underlying tension, hinting at deeper emotional conflicts as the story progresses.
Infedele: Commedia in tre atti
Roberto Bracco
Infedele: Commedia in tre atti
"Infedele: Commedia in tre atti" by Roberto Bracco is a play likely written in the late 19th century. This theatrical work explores the dynamics of marriage, fidelity, and jealousy through the interactions of its main characters: Count Silvio Sangiorgi, his wife Countess Clara Sangiorgi, and Gino Ricciardi, who appears to be an intriguing figure in their lives. The unfolding narrative hints at a complex web of emotions as these characters navigate societal expectations and personal desires. At the start of the play, we are introduced to the elegant living room of Clara and Silvio, where a playful yet tense conversation between the couple reveals underlying issues in their marriage. Clara seeks to impress Silvio with her new fashion style, while Silvio’s apparent jealousy regarding Clara's interactions with Gino is brought to the forefront. As Clara challenges Silvio’s notions of jealousy and fidelity, their banter oscillates between flirtation and contention, setting the stage for a deeper exploration of trust, love, and the potential for betrayal as the story progresses. The opening establishes both the characters’ personalities and the intricate dynamics of their relationships in a way that engages the audience's interest in their unfolding drama.
Un'avventura di viaggio
Roberto Bracco
Un'avventura di viaggio
"Un'avventura di viaggio" by Roberto Bracco is a comedic play written in the late 19th century. The play unfolds in a single act and revolves around themes of romance and mistaken identities, capturing the social dynamics and flirtations of its time. In this light-hearted comedy, the narrative centers on characters Carlo, Francesco, and Bianca, among others, who interact in a stylishly decorated room intended for social affairs. After Francesco's flirtation with a mysterious woman, Bianca, unfolds during a train journey, the storyline intensifies with comedic misunderstandings and revelations. As the characters grapple with their feelings, jealousies, and the boundaries of love, the play addresses themes of fidelity and the complexity of romantic encounters. Ultimately, amidst the playful chaos, it is revealed that Bianca is actually Carlo's wife, leading to a humorous climax as misunderstandings are clarified and relationships redefined.
Nellina: Dramma in tre atti (Taken from Roberto Bracco Teatro, Vol. VII)
Roberto Bracco
Nellina: Dramma in tre atti (Taken from Roberto Bracco Teatro, Vol. VII)
"Nellina: Dramma in tre atti" by Roberto Bracco is a dramatic play written in the early 20th century. The story revolves around complex relationships and societal issues, primarily focusing on the characters involved and their intertwined lives. The main character, Nellina, navigates her world of love and betrayal, while the dynamics with characters such as Cesare, her guardian, and Giacomo, his son, suggest themes of power, dependency, and rebellion. The opening of the play introduces a refined setting where Cesare, a middle-aged man, contemplates his life and expresses a desire to withdraw from romantic entanglements, which he refers to as "affairs of the heart." His interactions with Don Candido, a somewhat sycophantic figure, reveal Cesare's struggle with his past relationships, particularly with a woman named Gigetta, who appears later. Nellina is introduced as a character striving for her independence and grappling with her identity, indicating her potential as a catalyst for conflict in these relationships. The tone shifts as tensions build, highlighting a blend of humor and seriousness, foreshadowing the emotional turmoil that will unfold as the story progresses.
Nemmeno un bacio: Dramma in tre atti e un epilogo
Roberto Bracco
Nemmeno un bacio: Dramma in tre atti e un epilogo
"Nessuno un bacio: Dramma in tre atti e un epilogo" by Roberto Bracco is a theatrical play written in the early 20th century. This drama unfolds primarily in a villa near Naples and introduces a complex web of relationships, exploring themes of love, desire, and social interactions. The characters include Tina di Lorenzo as the protagonist and others such as Enrico Carmineti, Corrado Liberti, and Clotilde Carmineti, who navigate their emotions amidst societal expectations. The opening of the play sets the stage in a lively and colorful villa living room, where we first meet the De Planes couple, who are in a state of annoyance due to the absence of their servant and are determined to confront Clotilde about Corrado's improper behavior towards their daughter. The dialogue introduces a comedic yet tense dynamic between the characters, highlighting their varying perspectives on relationships and personal grievances. Enrico, emerging as the young seminarian, navigates interactions with both Corrado, who seems to have a rather cavalier attitude, and his cousin Nanetta, who expresses a strong will and independence. As the scene progresses, underlying tensions and complex pasts hint at relationships that will unfold throughout the drama.
Alcibiade, la critica e il secolo di Pericle lettera di Felice Cavallotti a Yorick figlio di Yorick
Felice Cavallotti
Alcibiade, la critica e il secolo di Pericle lettera di Felice Cavallotti a Yorick figlio di Yorick
"Alcibiade, la critica e il secolo di Pericle" by Felice Cavallotti is a historical account written in the late 19th century. The work appears to reflect on the life and political intricacies of ancient Athens, particularly focusing on the figure of Alcibiades and the era dominated by Pericles, exploring themes of art, critique, and societal values. The opening suggests a rich examination of political philosophy and critique, blending historical narrative with personal commentary. The opening of the text presents a letter addressed to "Yorick, son of Yorick," in which the author humorously defends his work against various critics. Cavallotti reflects on the subjective nature of artistic criticism, highlighting the challenges faced by artists like himself in the "arena of art." He criticizes the often arbitrary judgments of critics who lack true understanding and passion for the art they evaluate, and he hints at the historical and moral responsibilities of artists. Through this dialogue with Yorick, Cavallotti sets a tone of introspection and critique of both the artistic scene and the socio-political context of ancient Athens, ultimately seeking to clarify the intentions behind his own artistic endeavors.
Orione
Ercole Luigi Morselli
Orione
"Orione" by Ercole Luigi Morselli is a tragic play written in the early 20th century. The narrative revolves around the central character, Orione, as various characters interact in a setting steeped in myth and drama, reflecting themes of love, identity, and destiny against the backdrop of ancient Greek lore. The opening of the play introduces us to Ireo, the father of Orione, and Trochilo, his servant, as they discuss the sorrow Ireo feels for his absent son. They reminisce about Orione’s childhood, revealing a mixture of parental love and foreboding, as Ireo fears for Orione's reckless pursuits of glory and adventure. Mirrina, a character with aspirations of her own, enters, discussing omens and dreams that may influence her fate. Matusio, a noted soothsayer, is also introduced, hinting at future prophecies tied to Orione’s adventures. As the characters interact, the tension builds around Orione's long-awaited return and the implications of his heroic deeds and relationships, setting the stage for an epic exploration of personal and mythological paths interweaving through the narrative.
Capitale e mano d'opera Le Commedie, vol. 1
Valentino Carrera
Capitale e mano d'opera Le Commedie, vol. 1
"Capitale e mano d'opera" by Valentino Carrera is a theatrical comedy written in the late 19th century. The play explores the dramatic and contemporary struggle between intellectual capital and the working class, intending to foster a necessary harmony among all interests without inciting hatred or violence. The central character, Carlo Valori, confronts the challenges of running a factory amidst the complexities of economics and labor relations, reflecting a broader conversation about social responsibility and the importance of uplifting the working class. The opening of the play introduces the domestic setting of Carlo Valori’s household in Florence, establishing a tense atmosphere concerning financial obligations and personal relationships. Various characters, including Carlo's wife Agnese and his mother Anna, engage in conversations that hint at underlying tensions related to Carlo's ambitions in the industrial world. As Carlo navigates discussions around capital and labor, themes of societal expectations, financial struggles, and familial pressures come to the forefront, setting the stage for the central conflicts that will unfold throughout the story. This initial act depicts not just domestic life, but the socio-economic realities of Italy during this period, blending personal drama with broader societal critiques.
Le bocche inutili: dramma in tre atti
Annie Vivanti
Le bocche inutili: dramma in tre atti
"Le bocche inutili: dramma in tre atti" by Annie Vivanti is a dramatic play written in the early 20th century. The story unfolds in the context of war, focusing on the lives of characters such as Giorgio, the son of a commander, and Lady Mary, his mother, who confront the emotional and ethical challenges brought about by the impact of conflict and sacrifice. The play explores themes of duty, maternal love, and the human cost of war, revealing the profound struggles faced by those directly affected by the events. The opening of the drama sets the stage for a family interaction marked by emotional farewells as Giorgio prepares to leave for military service. Tensions arise as Lady Mary expresses her sorrow and reluctance to let her son go, revealing the bond of love and concern within this family, particularly the tension between a mother’s protective instincts and a son’s sense of duty. The father, Comandante De Bels, presents a stoic front, urging his family to accept the necessity of sacrifice for the greater good. This poignant beginning establishes both character dynamics and the overarching turmoil of war, laying a foundation for the exploration of the themes of duty, love, and the stark realities of survival.
Dedica - Scarabocchio Le Commedie, vol. 1
Valentino Carrera
Dedica - Scarabocchio Le Commedie, vol. 1
"Dedica - Scarabocchio" by Valentino Carrera is a theatrical work written in the late 19th century. This piece likely focuses on the intersection of personal struggles and societal perceptions through the lens of its main character, Gaspare, who has been ridiculed for his disability, dubbed "Scarabocchio." The narrative explores themes of identity, compassion, and the power of friendship, suggesting a commentary on how society treats those who are different. The opening of "Dedica - Scarabocchio" sets the stage in a village where Gaspare, a disabled man, reflects on his past while being mocked by children in the square. Caterina, a compassionate character, tends to her flowers, expressing concern for Gaspare's well-being. The interaction between Caterina and Bernardetto reveals the dynamics of their relationship and their feelings for Gaspare, whose talent and potential remain obscured by his physical limitations. As Gaspare arrives, the scene fills with humor and warmth, highlighting his determination to define his own identity, ultimately setting up a narrative that promises both comedic and heartfelt moments in his journey toward self-acceptance.
La Tempesta
William Shakespeare
La Tempesta
"La Tempesta" by William Shakespeare is a play written in 1610–1611. On a remote island, the magician Prospero lives in exile with his daughter Miranda and his servants—the monster Caliban and the spirit Ariel. When a ship carrying his treacherous brother passes nearby, Prospero conjures a storm that wrecks it, scattering the survivors across the island. He then sets in motion an elaborate plan involving magic, romance, and revenge that will determine everyone's fate.
Le disilluse
Roberto Bracco
Le disilluse
"Le disilluse" by Roberto Bracco is a one-act marionette play written during the late 19th century. The work explores themes of love, disillusionment, and social dynamics among young women who have fled their lives in search of fulfillment. Through a blend of fantasy and social commentary, Bracco crafts a whimsical narrative that reflects the attitudes and expectations of women in society during this time. In "Le disilluse," the story unfolds around a group of disillusioned young women who have escaped their former lives in the kingdom of Zano. They reside in a fantastical castle where they lament their lost hopes and dreams, believing they have found solace away from the male-dominated world. However, their lives take a turn when Arunto, a determined young man, sets out on a quest to retrieve them for the kingdom. Disguised as an old man, he cleverly convinces the women that he possesses a magical means to conjure love and desire. Through a series of events, including the distribution of portraits of noble men that spring to life, Arunto helps the disillusioned girls find love and return to their home, as they navigate their complex feelings towards love, marriage, and their roles in society. Ultimately, the story captures the transformation of disillusionment into hope and the realization that true happiness might lie in facing their fears of love and commitment.
Don Pietro Caruso
Roberto Bracco
Don Pietro Caruso
"Don Pietro Caruso" by Roberto Bracco is a single-act play written in the late 19th century, specifically in the 1890s. The drama unfolds in Naples and revolves around the complex relationship between a father, Don Pietro Caruso, and his daughter, Margherita, against the backdrop of personal tragedy, love, and social norms. The play explores themes of honor, morality, and the consequences of choices made in the name of love. In this poignant drama, Don Pietro faces a heartbreaking dilemma when he learns that his daughter, Margherita, has become involved with Count Fabrizio Fabrizi. The interplay between the three characters captures the tensions of love and societal expectation, as Fabrizio is reluctant to marry Margherita, leading to deep emotional conflict. As Margherita confesses her love for Fabrizio, the characters navigate the painful realities of their intertwined fates, culminating in a powerful resolution that highlights the burdens of parental responsibility and the heartbreaking realities of societal judgment. The play ultimately raises questions about the sacrifices one must make in the name of love and honor, leaving the audience with a lingering sense of melancholy.
Un avvocato dell'avvenire Le Commedie, vol. 1
Valentino Carrera
Un avvocato dell'avvenire Le Commedie, vol. 1
"Un avvocato dell'avvenire" by Valentino Carrera is a comedic play written in the late 19th century. The work satirically explores the Italian legal profession through the character of Tullio Savelli, an ambitious young man who aspires to be a lawyer despite his apparent shortcomings and lack of genuine dedication to the law. The play is set against a backdrop of societal mockery and serves as a reflection on the legal system and the nature of ambition in a rapidly changing society. The opening of the play introduces the main character, Tullio, and presents the contrast between his grand aspirations and his superficial understanding of the legal profession. Tullio arrives in the city, filled with pretentiousness and misguided confidence, yet he acknowledges his lack of genuine academic effort. The comical setting reveals Tullio's interactions with various characters, including his uncle Giuseppe and other aspiring lawyers, who represent different facets of the legal realm. Amidst the humor, Carrera critically examines societal values, ambition, and the ease with which one can navigate the legal landscape, setting the stage for Tullio's subsequent adventures and misadventures in court and in love.
Non fare ad altri...
Roberto Bracco
Non fare ad altri...
"Non fare ad altri..." by Roberto Bracco is a comedic play in one act that was first performed in the late 19th century, specifically in 1886. The work is part of a larger collection of Bracco's theatrical pieces, blending farce and elements of humor centered around a police commissioner's humorous encounters with a gentleman thief. The play likely explores themes of mistaken identity and the absurdity of social roles through its witty dialogue and entertaining situations. The storyline revolves around a police commissioner and his interactions with various characters, including the bumbling officers and a thief named Oscar Gentiletti, who becomes embroiled in an unexpected scandal involving the commissioner's wife. As the narrative unfolds, the commissioner finds himself in a precarious situation where his dignity as a lawman clashes with his personal life after discovering that the thief possesses a portrait of his wife, revealing a deeper betrayal. Filled with misunderstandings and comical exchanges, the play exposes the follies of its characters while cleverly critiquing societal norms and the nature of love and fidelity.
Alleluja: dramma in tre atti
Marco Praga
Alleluja: dramma in tre atti
"Alleluja: dramma in tre atti" by Marco Praga is a drama written in the late 19th century. The play is set in a provincial city in Lombardy and revolves around the life of Alessandro Fara, his wife Elisa, and their daughter Eva, exploring themes of family, honor, and emotional turmoil. The narrative seems to focus on the complex relationships within the family, particularly dealing with past grievances and societal expectations. The opening of the drama introduces us to a festive gathering celebrating Alessandro and Elisa's silver wedding anniversary. Surrounded by friends and acquaintances, Alessandro appears jovial and lighthearted, but his internal struggles are hinted at as he reminisces about the weight of his past. Various characters engage in lively exchanges, reflecting both humor and tension within the group. As the atmosphere shifts, the stark contrasts in the characters' backgrounds and emotional depths become apparent, hinting at deeper conflicts yet to unfold. The scene sets a foundation for the exploration of secrets, regrets, and familial bonds that will develop throughout the play.
I fantasmi: Dramma in quattro atti (Taken from Roberto Bracco Teatro, Vol. VII)
Roberto Bracco
I fantasmi: Dramma in quattro atti (Taken from Roberto Bracco Teatro, Vol. VII)
"I fantasmi: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. The narrative revolves around the life and struggles of Professor Raimondo Artunni, his relationships with his wife Giulia, and the emotional turmoil stemming from his terminal illness. The opening of the play establishes a somber atmosphere in the professor's countryside home, where we meet various characters, including his devoted wife and his anxious servant. Disciples of Professor Artunni, Manlio and Luciano, arrive with the intention of visiting him, unaware of his deteriorating health. Giulia reveals to them that Raimondo is gravely ill, having hidden his condition from everyone, including her. As the characters grapple with the reality of his imminent death, themes of love, jealousy, and the burden of unspoken emotions surface, setting the stage for conflicts and revelations that will unfold in the ensuing acts.
Gli ultimi giorni di Goldoni Le Commedie, vol. 1
Valentino Carrera
Gli ultimi giorni di Goldoni Le Commedie, vol. 1
"Gli ultimi giorni di Goldoni" by Valentino Carrera is a play written in the late 19th century. The narrative revolves around the last days of the famous Italian playwright Carlo Goldoni, exploring his life and relationships against the backdrop of a tumultuous political landscape in France during the Revolution. The main characters include Goldoni himself, his devoted wife Nicoletta, and other notable literary figures who gather to honor the playwright. The opening of the play sets the stage in Goldoni's home in Paris, where we find the playwright and his companions preparing for a celebration in honor of his wedding anniversary. The scene is filled with a mix of humor and tension as Goldoni, battling both personal and political challenges, interacts with his friends and family. Conversations touch on themes of loyalty, love, and the social upheaval surrounding them, while foreshadowing the party meant to lift their spirits in light of their struggles. As the characters discuss plans for the day, the audience is introduced to the vibrant personalities surrounding Goldoni, creating a lively atmosphere that hints at both joyous celebration and underlying fears about the future.
La piccola fonte: Dramma in quattro atti
Roberto Bracco
La piccola fonte: Dramma in quattro atti
"La piccola fonte: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. The work revolves around the lives of several main characters, primarily focusing on Stefano, Teresa, and Valentino, and explores themes related to ambition, identity, and the intricacies of personal relationships. Through a blend of humor and pathos, the play delves into the struggles of its characters as they navigate societal expectations and individual desires. The opening of the play introduces us to a scene set in a park in Posillipo, where we meet Teresa, Valentino, and Romolo, as they engage in light-hearted banter while preparing for the day. Teresa is depicted as conscientious and caring towards her husband Stefano, whose creative aspirations take precedence in their lives. The mood shifts to tension when Don Fausto, an antiquarian, arrives seeking payment from Stefano, highlighting the financial strains pressing down on the couple. As the conversation unfolds, the dynamics between the characters reveal their complex interactions, touching on issues of dignity, class, and personal fulfillment. These early exchanges set the stage for a deeper exploration of the characters' motivations and challenges as the drama unfolds.
Il trionfo: Dramma in quattro atti
Roberto Bracco
Il trionfo: Dramma in quattro atti
"I Trionfo: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the late 19th century. The work revolves around Lucio Saffi, who appears to be recovering from an illness, and explores themes of friendship, love, and the complexities of human relationships through its ensemble of characters including Nora, Giovanni, and Felsani. The opening of the play introduces us to a simple, somewhat somber room where Lucio is recuperating. He is attended by Dr. Felsani and his friend Giovanni, who engage in light banter while Lucio expresses disillusionment with science and the nature of life. As they wait for Nora, a piano teacher and caretaker, her arrival signifies a shift in the atmosphere, sparking further discussions about Lucio's health and his relationships with those around him. The conversations reveal Lucio's introspective nature and hint at his deeper feelings toward Nora, setting the stage for the emotional and thematic explorations of the play.
La trilogia di Dorina: Commedia in 3 atti
Gerolamo Rovetta
La trilogia di Dorina: Commedia in 3 atti
"La trilogia di Dorina: Commedia in 3 atti" by Gerolamo Rovetta is a theatrical play written in the late 19th century. The story centers around the character Dorina, navigating the complexities of love, societal expectations, and personal aspirations within the backdrop of Lombardy, Milan, and Rome. With themes reflecting the tensions of class and emotional commitment, this play brings to life the tensions between duty and desire, shaped by the relationships between Dorina and other characters such as Niccolino and the Marchesa Fulvia. The opening of the play introduces us to a lively gathering in the villa of Marchesa Fulvia, where several characters interact around Dorina, an aspiring musician, and her entangled relationships. As she engages with Niccolino, we sense the underlying romantic tension as he expresses jealousy towards her connection with Edoardo Costantini, her music teacher. The comedy unfolds through quick-witted dialogues and the comedic potential of misunderstandings surrounding social expectations—particularly about marriage—and highlights Dorina’s struggles between her ambitions and familial duties. The scene is set for drama and humor, drawing the audience into a significant familial and romantic discourse as Dorina’s mother prepares to depart and her future path hangs in the balance.
Sperduti nel buio: Dramma in tre atti
Roberto Bracco
Sperduti nel buio: Dramma in tre atti
"Sperduti nel buio: Dramma in tre atti" by Roberto Bracco is a dramatic play written in the early 20th century. The narrative unfolds in a small, low-class establishment in Naples, populated by various characters navigating their way through life's difficulties. Central to the story are Paolina, a young girl facing the harsh realities of street life, and Nunzio, a blind pianist who seeks both companionship and escape from their shared struggles." "The opening of this drama introduces a dimly lit bar-like setting, where various patrons interact while dancing and drinking. The characters are depicted as coming from the lower socio-economic strata, each with their own quirks and aspirations. Paolina, a young beggar, desperately seeks help, while Nunzio, the blind musician, plays piano in the background. The play's beginning establishes an atmosphere of tension, camaraderie, and underlying desperation, as the characters engage with one another amidst the clamor of their daily lives and the dark backdrop of their fate."
Il piccolo santo: Dramma in cinque atti
Roberto Bracco
Il piccolo santo: Dramma in cinque atti
"Il piccolo santo: Dramma in cinque atti" by Roberto Bracco is a drama written in the early 20th century. The play revolves around the character of Don Fiorenzo, a priest in a small village near Naples, and explores themes of faith, the nature of miracles, and the challenges of human relationships. As various characters engage with Don Fiorenzo, the narrative hints at deeper psychological and societal conflicts, revealing the complexities of life and spirituality. The opening of the drama presents a stark, simple room where Barbarello, a mentally challenged young man, is introduced as he interacts with the mundane world around him. The arrival of Dr. Finizio and another character, Sebastiano, brings urgency as they search for Don Fiorenzo, revealing a tension tied to the well-being of the villagers. This scene establishes the interconnection between the priest's role and the villagers' lives, highlighting societal expectations and the thematic exploration of the miraculous versus the mundane as characters express their concerns about Don Fiorenzo's whereabouts. The beginning sets the stage for a crucial exploration of faith and community within the narrative.
Dopo il veglione o viceversa
Roberto Bracco
Dopo il veglione o viceversa
"Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles. In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations.
La moglie ideale: commedia in tre atti
Marco Praga
La moglie ideale: commedia in tre atti
"La moglie ideale: commedia in tre atti" by Marco Praga is a theatrical play likely written in the late 19th century. The story revolves around the intricate dynamics of marriage and infidelity, focusing on characters such as Andrea Campiani, a stockbroker, and his wife Giulia, who finds herself caught in a web of affection and moral dilemmas involving her admirer, Gustavo Velati. At the start of the play, the scene is set in Andrea's dining room, where a semblance of domestic normalcy prevails despite underlying tensions. The first act introduces Giulia, who is engaged in light banter with her husband and caring for their son, Giannino. The arrival of Gustavo Velati brings a shift in the atmosphere, suggesting a deeper connection between him and Giulia, which foreshadows complications in their relationships. The interplay of dialogue reveals hints of Giulia's discontent and the imbalance in her marriage, laying the groundwork for the unfolding drama as she navigates her dual roles as both wife and lover.
Lea: dramma in tre atti in prosa con un prologo in versi
Felice Cavallotti
Lea: dramma in tre atti in prosa con un prologo in versi
"Lea: dramma in tre atti in prosa con un prologo in versi" by Felice Cavallotti is a dramatic play written in the late 19th century. The work delves into themes of love, societal norms, and familial obligations, centering around the character Lea and her relationships. The prologue sets an engaging tone with characters discussing the impending premiere of a play and the opinions surrounding its quality, suggesting a meta-theatrical element that reflects on both the theatrical world and personal conflicts. The opening portion introduces a mix of characters in a lively café setting in Milan, where Fulvio, a poet, interacts with Bardi, a comic actor, and other patrons involved in the theater scene. They discuss an upcoming performance of the play "Lea," foreshadowing issues surrounding its reception. Through witty exchanges, the dialogue reveals the personal and artistic dilemmas faced by the characters, while hints of Lea's narrative begin to unfold, interspersed with humor and reflections on the nature of art and performance. As the scene transitions, we encounter the characters in their daily lives, setting the stage for the emotional and societal challenges to come in Lea's journey.
La realtà: dramma in 3 atti
Gerolamo Rovetta
La realtà: dramma in 3 atti
"La realtà: dramma in 3 atti" by Gerolamo Rovetta is a dramatic work written in the late 19th century. This play revolves around the life of Francesco Quarnarolo, an enthusiastic and committed socialist leader striving for the rights and recognition of workers in an increasingly volatile social climate. The story unfolds within the backdrop of industrial and labor struggles, highlighting the complexities of love, loyalty, and social justice. At the start of the play, Francesco stands on the balcony addressing a cheering crowd, celebrating his election as the president of labor associations. Surrounded by his close companions, he exudes confidence and joy over their shared accomplishments, while also reminiscing about the struggles they've faced. The opening introduces key characters, including his daughter Sofia, who admires him, and Anna Santer, his romantic interest, who adds emotional tension to his life. The atmosphere is charged with fervent revolutionary spirit, and there are hints of impending challenges, as Francesco must navigate both personal relationships and the harsh realities of his political ambitions.
Fotografia senza.... - Notte di neve - La chiacchierina
Roberto Bracco
Fotografia senza.... - Notte di neve - La chiacchierina
"Fotografia senza.... - Notte di neve - La chiacchierina" by Roberto Bracco is a collection of theatrical works written in the early 20th century. Comprising different dramatic pieces, this book explores themes of love, identity, and social issues through its engaging characters and relatable narratives. The likely topics include the complexities of relationships set against the backdrop of societal norms and expectations. In the first piece, "Fotografia senza....," Armando Falconi is a photographer who humorously claims to take photographs without a camera, engaging in witty banter with his wife, Tina di Lorenzo. Their playful exchanges lead to deeper reflections on identity and perception, showcasing Bracco's ability to infuse comedy with thought-provoking ideas. The second work, "Notte di neve," follows Salvatore and Graziella, a couple facing the stark realities of poverty and familial tensions. Hashtags reveal their struggles and resilience, especially when Salvatore grapples with his tumultuous relationship with his mother. The final piece, "La chiacchierina," is a monologue by a young girl named Nora, who reflects on the unfairness surrounding her label as a "chiacchierina" despite her quiet nature, contrasting children's innocence with adult impositions. Overall, the collection offers a blend of humor, social critique, and emotional depth in its exploration of personal and relational dynamics.
Lui lei lui
Roberto Bracco
Lui lei lui
"Lui lei lui" by Roberto Bracco is a comedy written in the late 19th century. The play revolves around themes of love, friendship, and jealousy, encapsulated in a light-hearted yet poignant manner. Set in contemporary times of its writing, the narrative explores the complexities of relationships among three main characters: a husband, his wife, and his best friend. The story unfolds in a single act and focuses on the interactions between Giulio, his wife Clotilde, and his friend Federico. As the play progresses, Federico confesses his romantic feelings for Clotilde, which leads to an emotional turmoil for all three characters. Giulio, instead of being angered, responds with a mixture of humor and understanding, leading to a comedic resolution where Clotilde attempts to quell Federico's feelings for her by creating a sense of indifference. In the end, they all share a moment of laughter as they navigate the subtleties of love and friendship, illustrating Bracco's ability to blend comedic elements with deeper emotional themes.
Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori
F. T. Marinetti
Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori
"Il tamburo di fuoco: Dramma africano di calore, colore, rumori, odori" by F.T. Marinetti is a dramatic work likely written in the early 20th century. This play immerses the reader in a vivid representation of African life, showcasing intense sensory experiences through its characters and settings. The central protagonist, Kabango, is presented as a strong leader navigating the complexities of loyalty, ambition, and cultural identity amidst conflict and transformative experiences. The opening of the drama introduces us to a tense and oppressive atmosphere in the Equatorial African desert, where the protagonist Kabango, along with his companions Mabima, Lanzirica, and Bagamoio, struggles for survival against the relentless heat and impending dangers. Kabango's leadership is tested as they confront enemy factions and personal dilemmas involving love for Mabima and the significance of a sacred object called the Sinrun. As the characters grapple with their circumstances, themes of betrayal, resilience, and the intersection between tradition and modernity emerge, setting the stage for a deeper exploration of their cultural and emotional stakes in the broader narrative.
Danza macàbra
Camillo Antona-Traversi
Danza macàbra
"Danza macàbra" by Camillo Antona-Traversi is a comedy in four acts written in the late 19th century. The play focuses on the decline of noble families in Rome, exploring themes of social change, aristocracy, and the stark contrast between old wealth and new societal forces. The main characters include the Prince Lanfranchi, his sons Maurizio and Fabrizio, and Donna Silvia, who find themselves navigating a world that is rapidly changing around them. The opening of "Danza macàbra" introduces the reader to a luxurious yet crumbling aristocratic world in Rome, providing a vivid setting that highlights the tension between past glories and present struggles. The narrative begins with a letter from the author expressing heartfelt gratitude to his mentor and outlining the inspiration behind the play—the fall of noble families and their fortunes. As characters come into focus, we witness the complex dynamics at play among them, particularly through the exchanges between the household staff and the princely family. Conversations reveal underlying tensions, financial concerns, and societal criticisms, setting the stage for the unfolding drama that delves into issues of privilege, responsibility, and the impact of societal change on personal relationships.
Maternità: Dramma in quattro atti
Roberto Bracco
Maternità: Dramma in quattro atti
"Matternità: Dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. This work revolves around the complex themes of motherhood, societal expectations, and interpersonal relationships, set against the backdrop of the lives of the nobility. The characters include the Marchesa Claudia di Montefranco, her husband Marchese Alfredo, and Maurizio Dorini, who becomes entangled in their marital strife, suggesting the play will delve into intrigue and ethical dilemmas. At the start of the play, we are introduced to the characters in a setting that conveys the intimacy of their lives. Olghina, visiting Maurizio's home, establishes a light-hearted atmosphere with playful banter, while Maurizio's focus on his health and routines hints at a more significant underlying emotional complexity. As the dialogue unfolds, Maurizio expresses concern over potential complications in his relationship with Olghina, while Claudia's entrance foreshadows the impending tension as both characters grapple with their feelings. The scene sets the stage for conflicts related to fidelity, power dynamics, and the societal pressures of motherhood, positioning the narrative for a deeper exploration of these themes throughout the play.
Il Re burlone: Dramma in 4 atti
Gerolamo Rovetta
Il Re burlone: Dramma in 4 atti
"Il Re burlone: Dramma in 4 atti" by Gerolamo Rovetta is a theatrical drama written in the early 20th century. Set in the context of the Kingdom of Naples, the play revolves around the court and political intrigues involving King Ferdinando II, his royal family, and various courtiers. The narrative delves into themes such as power, societal norms, and the role of the performing arts during a time of political tension. At the start of the drama, we are introduced to the characters and the lively atmosphere surrounding an opera performance in Naples. The scene unfolds in the "Albergo del Giglio d'Oro," where the excitement of the evening is palpable with the arrival of Rosalia Mirabella, a celebrated prima donna, her sister Fannya, and various members of the court. As they prepare for a festive gathering, the characters engage in humorous banter, highlighting their relationships and social dynamics, while hints of underlying tensions regarding royal authority and artistic expression begin to emerge. The opening captures a vibrant setting, rich with anticipation, laughter, and the complex interplay between personal aspirations and political realities, drawing readers into the world Rovetta creates.
Il frutto acerbo: Commedia in tre atti
Roberto Bracco
Il frutto acerbo: Commedia in tre atti
"Il frutto acerbo: Commedia in tre atti" by Roberto Bracco is a play written in the early 20th century. The narrative revolves around Tilde Ricchetti and her entanglements with various characters, including her husband Ernesto and a younger man named Nino Lovigiani, illustrating themes of love, infidelity, and societal expectations. At the start of the play, Tilde is introduced in her apartment in a hotel in Sorrento, appearing distressed and contemplating her actions. She is soon joined by Nino, who expresses his feelings for her and tries to comfort her after a significant event. Their dialogue oscillates between playful banter and deeper emotional turmoil, reflecting Tilde's conflicted feelings regarding her marriage and her connection with Nino, whom she views as both an infatuation and a youthful distraction. The opening sets up a complex web of relationships and tensions, hinting at the broader societal issues that will unfold through the course of the three acts.
La Gioconda
Gabriele D'Annunzio
La Gioconda
"La Gioconda" by Gabriele D'Annunzio is a tragedy written in the early 20th century. The play is set against the backdrop of Florence and features a cast of characters that includes Lucio Settala, Silvia Settala, and Lorenzo Gaddi, delving into themes of love, artistry, and the haunting past. The narrative revolves around Lucio, an artist recovering from a life-threatening incident, and the relationships entangled with his past and present, particularly concerning a figure named Gioconda. At the start of the tragedy, the stage is meticulously described, suggesting an atmosphere of harmony and deep emotional undercurrents. The opening scene introduces Silvia Settala and Lorenzo Gaddi, who discuss Lucio’s recovery and their hopes for his return to creativity, reflecting on the impact of his traumatic experiences. Silvia grapples with her emotions as Lucio begins to reawaken to life and art, hinting at the unresolved tensions with Gioconda, a past lover who continues to hold power over him. The prologue of interactions sets the tone for dramatic confrontations and emotional struggles that will unfold, indicating an inevitable clash between love, memory, and artistic aspiration.
I pazzi: dramma in quattro atti
Roberto Bracco
I pazzi: dramma in quattro atti
"I pazzi: dramma in quattro atti" by Roberto Bracco is a dramatic play written in the early 20th century. This work delves into the complex themes of sanity and insanity as it navigates the intricacies of human emotions and interpersonal relationships. The play presents a multitude of characters, including a couple, Francesco and Agnese, exploring their tumultuous relationship amid the influences of personal and social dilemmas. The opening of the drama sets a somber scene in the doctor's office, where both Francesco and Agnese are engrossed in their thoughts, reflecting a heavy unease in their relationship. As they converse, Agnese proposes a separation, revealing the underlying tensions that have strained their bond. Francesco's reluctance to accept this changes the dynamics of their dialogue, heightening the emotional stakes. Their conversation is further interrupted by the arrival of Sister Marta, who adds another layer to the atmosphere of emotional and psychological turmoil. Through this initial act, Bracco hints at profound questions about the nature of love, trust, and the boundaries of sanity, setting the stage for the unfolding drama.
Le vergini: commedia in quattro atti
Marco Praga
Le vergini: commedia in quattro atti
"Le vergini: commedia in quattro atti" by Marco Praga is a theatrical play written in the late 19th century. The narrative revolves around the lives of Delfina and her three daughters, who navigate the complexities of marriage and social expectations in contemporary Milan. The protagonists are caught between traditional values and the emerging modern ideals of love and independence. The opening of the play introduces us to Delfina’s home, filled with a mix of characters that reflect the societal dynamics of the time. Vercellini, a family friend, engages in conversation with Delfina about her daughters, particularly emphasizing the unconventional nature of her younger daughters, Selene and Ninì. As guests arrive, including Vittorio Olgiati and his friend Corrado Cantoni, the atmosphere buzzes with anticipation for social gatherings, underscoring the characters' hopes and anxieties about marriage and societal perceptions. Delfina's desire to marry off her daughters is made palpable, as is the tension between her ambitions and the girls' personalities. This sets the stage for the interplay of love, deception, and the quest for personal freedom that will unfold in the subsequent acts.