Author
Frederick Wedmore
1844-1921
Frederick Wedmore (1844-1921) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Frederick Wedmore
On books and arts
"On Books and Arts" by Sir Frederick Wedmore is a collection of critical essays written in the late 19th century. The book compiles Wedmore's contributions to various reviews and periodicals, primarily focusing on literary and artistic topics, including discussions on prominent authors and artists of his time. Readers can expect an exploration of the essence and intricacies of the short story format, as well as reflections on significant figures like Balzac, George Eliot, and their contributions to literature and art. The opening of the collection sets the stage for a deep dive into the art of storytelling, particularly the short story, and challenges preconceived notions about its nature. Wedmore contrasts the perceived simplicity of the short story with its sophisticated demands on both writers and readers. He suggests that it is mistakenly undervalued compared to novels and highlights the artistic freedom it offers, encouraging readers to appreciate its unique qualities. As the introduction unfolds, Wedmore poses questions regarding the nature of storytelling, emphasizing the short story's distinctiveness and depth, all while engaging with various literary traditions and contemporary practices.
Fine prints
"Fine Prints" by Sir Frederick Wedmore is a guide to the art and practice of print collecting, written in the early 20th century. The book delves into the world of fine prints, discussing their beauty, historical significance, and the techniques of notable artists. It caters to both novice and advanced collectors, emphasizing the joy and educational value that come from the pursuit of collecting these artistic treasures. At the start of "Fine Prints," the author reflects on the rich tapestry of print collecting and its appeal, highlighting the thoughtful engagement it encourages with the world of art. Wedmore introduces the characteristics that define fine impressions, underscores the importance of condition and rarity, and sets the stage for exploring various artists and styles—such as etching, line engraving, and mezzotint. He outlines the rewards of becoming a specialist and the pleasure derived from nurturing an appreciation for art through print collecting, providing an insightful foundation for the chapters to come.
Etching in England With 50 illustrations.
"Etching in England" by Frederick Wedmore is a historical and critical account written in the late 19th century. The work explores the development and significance of etching as an artistic medium in England, distinguishing between commercial and artistic etching practices. The author highlights notable etchers, both British and foreign, who have contributed to the field, making a case for the artistic merit of their works. The opening of this volume sets the stage for a detailed exploration of etching, beginning with a preface that reflects on the evolution of the medium over nearly three decades. Wedmore discusses the reception of various etchers, such as Turner and Wilkie, and introduces the concept of two groups: those motivated by commercial success and those driven by artistic expression. The author emphasizes that this exploration focuses on the finer works produced within England and aims to document the significant contributions to etching made by both domestic and international artists. He conveys a clear intention to elevate the understanding and appreciation of etching as a legitimate art form in its own right.
Four Masters of Etching
"Four Masters of Etching" by Frederick Wedmore is a detailed art monograph written in the late 19th century. The work delves into the lives and styles of four significant etchers—Seymour Haden, Jules Jacquemart, J. A. M. Whistler, and Alphonse Legros—examining their contributions to the art of etching and how they navigated its principles and techniques. The subject matter reflects both biographical elements and a critical analysis of the etching process, providing insight into the artistic merit of each featured artist. The opening of "Four Masters of Etching" presents a preface that outlines the book's intent and the author's perspective on etching as an art form. Wedmore acknowledges the limitations of his overview compared to broader studies but defends the focus on four pivotal figures whose work signifies key developments in modern etching. He introduces Seymour Haden, highlighting his energetic and spontaneous approach to the medium and suggesting that understanding his work involves recognizing this temperament. Overall, the beginning sets up a framework for in-depth explorations of each artist's techniques, philosophies, and influences, promising a rich examination of their artistic legacies.